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Farid Rakun & ruangrupa Reinvent Artistic Curation at documenta 15

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Manage episode 336032494 series 2679668
Content provided by David Bollier and The Schumacher Center for a New Economics. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Bollier and The Schumacher Center for a New Economics or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
When the Indonesian artists collective ruangrupa was selected to curate the prestigious international art exhibition Documenta, held every five years in Germany, the group made a bold choice: to prototype a new type of commons-oriented political economy for art-making. In this episode, Ruangrupa member Farid Rakun explains how the exhibition not only showcases many first-rate artists from marginalized countries. Ruangrupa's curation also became a massive experiment in artistic commoning, with democratic assemblies of artists deciding how the exhibit would be organized, funds allocated, and noncapitalist infrastructures of social solidarity built. (Photo credit: Jin Panji/Gudskul, 2019)
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53 episodes

Artwork
iconShare
 
Manage episode 336032494 series 2679668
Content provided by David Bollier and The Schumacher Center for a New Economics. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Bollier and The Schumacher Center for a New Economics or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
When the Indonesian artists collective ruangrupa was selected to curate the prestigious international art exhibition Documenta, held every five years in Germany, the group made a bold choice: to prototype a new type of commons-oriented political economy for art-making. In this episode, Ruangrupa member Farid Rakun explains how the exhibition not only showcases many first-rate artists from marginalized countries. Ruangrupa's curation also became a massive experiment in artistic commoning, with democratic assemblies of artists deciding how the exhibit would be organized, funds allocated, and noncapitalist infrastructures of social solidarity built. (Photo credit: Jin Panji/Gudskul, 2019)
  continue reading

53 episodes

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