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Episode 30 - 1972: Jacob Druckman, Windows

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Manage episode 357638759 series 3456254
Content provided by hearingthepulitzers. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by hearingthepulitzers or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, Dave and Andrew look through Windows at Jacob Druckman's compositional style and legacy in American music. Druckman taught at Yale and the Aspen Music Festival for years, shaping generations of young composers, and coined the term "New Romanticism" when he curated the Horizons Festivals at the NY Philharmonic in the mid-1980s. Yet today, his attempts to merge modernist techniques with audience-friendly sounds are largely forgotten. Should they be?

If you'd like to know more about Druckman, we recommend:

  1. Nicholas Papador's dissertation Jacob Druckman: A Bio-Bibliography and Guide to Research, Northwestern University, 2003.
  2. Druckman's interview in Cole Gagne and Tracy Caras's Soundpieces: Interviews with American Composers (Scarecrow Press, 1982)
  3. Bruce Duffie speaks with Jacob Druckman

  continue reading

56 episodes

Artwork
iconShare
 
Manage episode 357638759 series 3456254
Content provided by hearingthepulitzers. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by hearingthepulitzers or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, Dave and Andrew look through Windows at Jacob Druckman's compositional style and legacy in American music. Druckman taught at Yale and the Aspen Music Festival for years, shaping generations of young composers, and coined the term "New Romanticism" when he curated the Horizons Festivals at the NY Philharmonic in the mid-1980s. Yet today, his attempts to merge modernist techniques with audience-friendly sounds are largely forgotten. Should they be?

If you'd like to know more about Druckman, we recommend:

  1. Nicholas Papador's dissertation Jacob Druckman: A Bio-Bibliography and Guide to Research, Northwestern University, 2003.
  2. Druckman's interview in Cole Gagne and Tracy Caras's Soundpieces: Interviews with American Composers (Scarecrow Press, 1982)
  3. Bruce Duffie speaks with Jacob Druckman

  continue reading

56 episodes

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