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Episode 37 - 1979: Joseph Schwantner, Aftertones of Infinity
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In this episode, Andrew and Dave explore a composer they first encountered with his music for wind band. In his Pulitzer-winning work, Schwantner fashioned a composition critics have described as creating a "poetic illusion—but only an illusion— of movement." Will this illusion win them over?
If you'd like more information about Schwantner we recommend:
- James Chute's dissertation "The reemergence of tonality in contemporary music as shown in the works of David Del Tredici, Joseph Schwantner, and John Adams" (University of Cincinnati, 1991)
- Schwantner's website
Cynthia Folio's article "The synthesis of traditional and contemporary elements in Joseph Schwantner's 'Sparrows,'" Perspectives of New Music, vol. 24, no. 1 (1985): 184-96.
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