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Cinema and Everyday Resistance | No Master Territories
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Manage episode 334831574 series 1527473
Content provided by HKW and Haus der Kulturen der Welt. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by HKW and Haus der Kulturen der Welt or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila Peleg. In her 1982 film “Reassemblage,” Trinh T. Minh-ha influentially reformulated the terms of the ethnographic encounter: she would not “speak about,” but “speak nearby.” In this conversation with artist-filmmaker Laura Huertas Millán, the two discuss this concept and others pertaining to both their practices. More about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from Trinh T. Minh-ha, What About China? (2022), copyright Moongift Films
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56 episodes
MP3•Episode home
Manage episode 334831574 series 1527473
Content provided by HKW and Haus der Kulturen der Welt. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by HKW and Haus der Kulturen der Welt or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila Peleg. In her 1982 film “Reassemblage,” Trinh T. Minh-ha influentially reformulated the terms of the ethnographic encounter: she would not “speak about,” but “speak nearby.” In this conversation with artist-filmmaker Laura Huertas Millán, the two discuss this concept and others pertaining to both their practices. More about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from Trinh T. Minh-ha, What About China? (2022), copyright Moongift Films
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56 episodes
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