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House of the White Shadows, The by B. L. Farjeon (1838 - 1903)

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Archived series ("Inactive feed" status)

When? This feed was archived on June 15, 2021 18:10 (3+ y ago). Last successful fetch was on February 14, 2021 12:09 (3+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

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Manage series 78524
Content provided by LibriVox. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by LibriVox or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)
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32 episodes

Artwork
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Archived series ("Inactive feed" status)

When? This feed was archived on June 15, 2021 18:10 (3+ y ago). Last successful fetch was on February 14, 2021 12:09 (3+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 78524
Content provided by LibriVox. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by LibriVox or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question. The characters in the story, the history of the house, the truth behind the white shadows are all woven together in a fascinating manner to be brought to fruition as the books progress with dramatic insight and understanding.Mr. Farjeon's style is remarkable for its vivid realism. The London "Athenæum" in a long and appreciative review styles him "a master of realistic fiction." On account of his sentiment and minute characterization he is regarded as a follower of the method of Dickens. No writer since that master can picture like Farjeon the touching and pathetic type of innocent childhood, pure in spite of miserable and squalid surroundings. He can paint, too, a scene of sombre horror so vividly that even Dickens himself could scarcely emulate its realism. (Summary from preface and by Roger Melin)
  continue reading

32 episodes

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