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Heroics - Erik Jourgensen - Halftone Comics

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Manage episode 265985693 series 2503418
Content provided by John Bartmann. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by John Bartmann or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The piece of music featured in this episode is called Halftone Comics. It’s a light and cheerful comedy soundtrack that I wrote for the superhero audio drama Heroics, a story about a group of superheroes who decide to pivot and go evil. It contains a lot of live woodwind instrumentation and serves as a leitmotif for the story’s comic shop. My name is Erik Jourgensen. I'm a composer from Los Angeles, and this is How I Make Music.
IN THIS EPISODE
01:13 Influences included Ennio Morricone’s score for Once Upon A Time In America and Jon Brion’s score for Lady Bird.
02:20 On Sunset Boulevard in Hollywood, there’s a comic shop called The Nerdist. I used to go there to watch comedy. I wanted this piece to capture the feel of just hanging out in a cool comic shop like The Nerdist.
03:43 We were fortunate enough to be able to have live players on the Heroics score. Bassoon, sax, trombone, strings and guitar were included in the lineup.
05:11 I wanted to avoid using sample libraries if possible. One of the challenges was creating a live sounding full series score without the budget for an ensemble on every track.
07:26 The energy you put is the feeling the listener will get out of your music.
08:16 For one of the basslines, I used a Fender Telecaster and pitched it down an octave because I didn’t have an electric bass at the time.
08:34 I also pitched the bassoon up until it sounded like a flute or clarinet
09:16 There’s a cool trumpet moment which I achieved by first sketching the part by singing into an iPhone to see what comes out. This part was the first thing that came, and I immediately thought a brass section would sound exciting, fun and a little kitsch.
10:02 To me, the rising chord progression has the quintessential superhero tone to them.
11:02 I use a lot of analog gear. Listen to how the bassoon and winds sound through tape echo and spring reverb.
11:36 When it comes to music, there’s a fine balance between repetition and variation. The Beatles, Beethoven all had this fine balance.
SHOW NOTES

MUSIC CREDITS

  • Ennio Morricone - Childhood Memories
  • Lady Bird - Jon Brion
  • Louisville Orchestra - Concerto For Wind Quintet And Orchestra (Lento)

ABOUT THIS SHOW
How I Make Music is where behind-the-scenes musicians get to tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition and investigate the insights into how it was made.

How I Make Music is created by John Bartmann https://johnbartmann.com

Support the show
  continue reading

54 episodes

Artwork
iconShare
 
Manage episode 265985693 series 2503418
Content provided by John Bartmann. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by John Bartmann or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The piece of music featured in this episode is called Halftone Comics. It’s a light and cheerful comedy soundtrack that I wrote for the superhero audio drama Heroics, a story about a group of superheroes who decide to pivot and go evil. It contains a lot of live woodwind instrumentation and serves as a leitmotif for the story’s comic shop. My name is Erik Jourgensen. I'm a composer from Los Angeles, and this is How I Make Music.
IN THIS EPISODE
01:13 Influences included Ennio Morricone’s score for Once Upon A Time In America and Jon Brion’s score for Lady Bird.
02:20 On Sunset Boulevard in Hollywood, there’s a comic shop called The Nerdist. I used to go there to watch comedy. I wanted this piece to capture the feel of just hanging out in a cool comic shop like The Nerdist.
03:43 We were fortunate enough to be able to have live players on the Heroics score. Bassoon, sax, trombone, strings and guitar were included in the lineup.
05:11 I wanted to avoid using sample libraries if possible. One of the challenges was creating a live sounding full series score without the budget for an ensemble on every track.
07:26 The energy you put is the feeling the listener will get out of your music.
08:16 For one of the basslines, I used a Fender Telecaster and pitched it down an octave because I didn’t have an electric bass at the time.
08:34 I also pitched the bassoon up until it sounded like a flute or clarinet
09:16 There’s a cool trumpet moment which I achieved by first sketching the part by singing into an iPhone to see what comes out. This part was the first thing that came, and I immediately thought a brass section would sound exciting, fun and a little kitsch.
10:02 To me, the rising chord progression has the quintessential superhero tone to them.
11:02 I use a lot of analog gear. Listen to how the bassoon and winds sound through tape echo and spring reverb.
11:36 When it comes to music, there’s a fine balance between repetition and variation. The Beatles, Beethoven all had this fine balance.
SHOW NOTES

MUSIC CREDITS

  • Ennio Morricone - Childhood Memories
  • Lady Bird - Jon Brion
  • Louisville Orchestra - Concerto For Wind Quintet And Orchestra (Lento)

ABOUT THIS SHOW
How I Make Music is where behind-the-scenes musicians get to tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition and investigate the insights into how it was made.

How I Make Music is created by John Bartmann https://johnbartmann.com

Support the show
  continue reading

54 episodes

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