How the Sausage is Made/Inside Baseball

I Survived Theatre School

Gina made a terrible lasagne. Boz debunks the myth of chicken. Carl Buddig beef bags, Doritos, smoked soup, Colombian food, HOKAs,
FULL TRANSCRIPT (unedited):
2 (10s):
And I'm Gina Pulice.

1 (11s):
We went to theater school together. We survived it, but we didn't quite understand.

2 (15s):
And at 20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.

1 (21s):
We survived theater school and you will too. Are we famous yet?

2 (34s):
Hello? Hello. Hello survivors. It is. I Gina reporting to you live. I mean, it's live to me, but it's not live to you because you most definitely aren't hearing it in the exact moment. I'm saying it, but you get the idea. It's Monday night, I'm here at my house sitting in my room where I always record when I talked to boss and I'm I'm, I'm coming on here to tell you that. Hmm. Do you know that expression inside baseball?

2 (1m 15s):
I don't understand when people say, oh, that's too inside baseball. Because for me, all I care about is the inside of something. I don't even like baseball. I'd love to be inside baseball. You want to show me where they get the dirt off their cleats. Great. You want to show me what kind of savvy they have to use on their cracked hands from rubbing? Oh, that says this is going to sound sexual. I don't mean it that way, but from holding the bat. Yeah. I want to see that you want to, you want to tell me about contract negotiations? I mean, I want to hear that stuff. I want to hear that stuff more than I want to hear about, or, you know, like actually watch baseball anyway.

2 (1m 59s):
I'm, I'm bringing this phrase up because I've never understood why people, don't, what people think it's bad to be inside baseball. And also by way of telling you that today's episode is going to be a little inside baseball. We record every week. We interview people every week. And at the very beginning, we had so many interviews stacked up that it was months between when we would record somebody and when it actually aired. But once all of that stack got aired, now we pretty much go week to week and that's fine, unless, and until we have a cancellation or two, as the case is for us right now, we had two back-to-back cancellations.

2 (2m 52s):
So one time when we had this, I put, I repaired an old episode, which I thought was really a great episode. And I'm really glad I repaired it. And then a couple of times we've aired episodes with just BAAs and I talking with no interview. And the reason I like to put something up is because personally, when I listened to podcasts and people take a week off, I really hate that. I really hate when a podcast I'm really used to listening to, you know, coming out on a certain day and like, that's the day I'm gonna, Ooh, it's Tuesday. I get to whatever, walk my dog and listen to my favorite podcast.

2 (3m 33s):
I hate it when those people take a vacation, but that's what I did. I took a vacation last week and boss was going to record one solo, but her interview canceled. And then the person that we're supposed to speak to tomorrow canceled. So honestly, we're probably gonna have the same problem next week, unless something magical happens. And we're able to interview somebody else before this weekends and who I'm saying all this to say, we do have an episode today. It is not previously aired material. It is boss and I talking, but it is not an interview.

2 (4m 14s):
And if that's not your jam that I get it, you can, you can just skip this one. Maybe this is not, maybe this is not the one for you, but if you're like me and you are inside baseball and you like things that are inside baseball. And by the way, I mean, it's not like it's inside baseball in the sense that we're talking about, you know, like the platform that we're hosting our podcasts, it's not actually really inside baseball. It's just not, it's just not our typical episode. Anyway, I also want to take this opportunity to think we have actually kind of a surprising number of listeners in other countries.

2 (4m 54s):
And I have never done something that I've always wanted to do, which is acknowledge all of these wonderful listeners. And so I'm going to do that right now. First we have New Zealand and I happen to know the person who listens to us from New Zealand or at least one of the people. And he Sean Spratt. And he went to theater school with us. And one day we'll have him on the podcast, but thank you, Sean Spratt for your listenership. Very much appreciated. We have listeners in Spain, the United Kingdom, Saudi Arabia, Germany, Singapore, Russia. Although not for the last couple of months.

2 (5m 34s):
If you know what I mean. France, Jordan, Nepal, Canada, Australia, Brazil, Israel, Virgin islands, pork bowl, Rico, Mexico, Austria, Sweden, Palestine, the Netherlands, Morocco, South Korea, Japan, Finland. I heard Finland has great coffee. I'd like to go there someday. Bangladesh, Uganda, Slovakia, Poland, Ireland, Indonesia, and BA. Right? Thank you to all of you, whoever you are out there listening to our little podcast. I appreciate you.

2 (6m 15s):
I do. I appreciate you deeply. I am also going to take this opportunity to recognize some fabulous comments that people have left on apple podcasts in the form of reviews. Something. I also greatly appreciate Larkin and Ellis says what a fun show to listen to and to have communion with other theater folks. So many of us survived, thrived or crashed. That's true. Afterschool and hearing tales of everyone's experience brings such humanity to the process. Jen and Gina are delightful and treat each, each guest with such grace, highly recommend. Thank you, Larkin Ellis.

2 (6m 57s):
Next. We have Zoe incredibly warm, funny and fascinating. These hosts get the best out of their guests. If you are involved in any part of the acting business, this will be a fascinating podcast for you. If you went to any theater school, this could be an opportunity for immense healing and processing things you didn't even know needed more attention. I laughed so hard. I cried. It was bad. It was better than cats. Thank you, Sophie. All right, BJP. Oh, that's I know who this is. This is Brian Brian Polak, who has also a great podcast. I mean, he had an episode on ours, but he's the host of the subtext podcast, which is all about playwrights.

2 (7m 38s):
And very interesting. If you haven't listened to it, please do his latest urban. I don't know if it's his actual latest, but one of his most recent ones features Tracy Letts. So that's cool. Anyway, Brian says not only are the interviews always free range and fascinating, but the conversations between Jen and Gina that begin each episode are warm and fun. It's like catching up with old friends every new time. Every time a new episode comes out. Thank you. Brian Love that. Scott says this podcast is such a gift, exclamation point. Anyone who has dabbled in the fine arts can relate to the conversations that the hosts and guests are discussing. I would also go as far as to say, listening to this podcast is like having a free therapist, especially if you are embarking on a career in the performing arts.

2 (8m 25s):
Thank you, Scott. Lovely Scott. Oh, and then here's one I wrote for myself. Yes I did. This is an inside baseball moment. I wrote my own review because I feel at times very desperate to get reviews. So I wrote one for myself. Love the way it is to interrogate the psychological makeup of actors and others who pursue an education at a conservatory. Thank you, Gina....