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Atlantic CEO Nick Thompson: What To Believe (or not) in the News

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Manage episode 375625036 series 3352155
Content provided by New Thinking. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Thinking or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

When I talk to people about the mission of In Reality, I frequently am told, “Media is so corrupt. Why do you bother.” In some circles, it seems that hating professional media is just a reflex, like saying “Bless you” when someone sneezes. Nothing personal.

Today’s guest is one of the best living rebuttals I can think of to this kind of blanket condemnation of the media. He is Nick Thompson, the CEO of The Atlantic and one of journalism’s most distinguished practitioners. Before The Atlantic, he was the editor-in-chief of Wired, a writer and editor at The New Yorker, and co-founder of The Atavist, a digital magazine that told long-form stories in graphic formats. Publications under his leadership have won numerous National Magazine Awards and Pulitzer Prizes, and one Wired story that he edited was the basis for the movie Argo, which won the Oscar for Best Picture in 2012. Nick is now co-founder of a Saas company, Speakeasy AI, formerly Narwhal, a software platform designed to foster constructive online conversations about the world’s most pressing problems.
Nick and I talk about truth and objectivity as a journalistic goal, about the gulf in background and worldview between journalists and some audiences, about how The Atlantic does its best to make sure its stories are fair, and about how Nick curates his own news feed and his own writing to minimize bias.
And now, here’s Nick Thompson
This episode was produced by Tom Platts

Website - free episode transcripts
www.in-reality.fm

Produced by Sound Sapien
soundsapien.com

Alliance for Trust in Media
alliancefortrust.com

  continue reading

53 episodes

Artwork
iconShare
 
Manage episode 375625036 series 3352155
Content provided by New Thinking. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Thinking or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

When I talk to people about the mission of In Reality, I frequently am told, “Media is so corrupt. Why do you bother.” In some circles, it seems that hating professional media is just a reflex, like saying “Bless you” when someone sneezes. Nothing personal.

Today’s guest is one of the best living rebuttals I can think of to this kind of blanket condemnation of the media. He is Nick Thompson, the CEO of The Atlantic and one of journalism’s most distinguished practitioners. Before The Atlantic, he was the editor-in-chief of Wired, a writer and editor at The New Yorker, and co-founder of The Atavist, a digital magazine that told long-form stories in graphic formats. Publications under his leadership have won numerous National Magazine Awards and Pulitzer Prizes, and one Wired story that he edited was the basis for the movie Argo, which won the Oscar for Best Picture in 2012. Nick is now co-founder of a Saas company, Speakeasy AI, formerly Narwhal, a software platform designed to foster constructive online conversations about the world’s most pressing problems.
Nick and I talk about truth and objectivity as a journalistic goal, about the gulf in background and worldview between journalists and some audiences, about how The Atlantic does its best to make sure its stories are fair, and about how Nick curates his own news feed and his own writing to minimize bias.
And now, here’s Nick Thompson
This episode was produced by Tom Platts

Website - free episode transcripts
www.in-reality.fm

Produced by Sound Sapien
soundsapien.com

Alliance for Trust in Media
alliancefortrust.com

  continue reading

53 episodes

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