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“Fragmentary Ruins and the Enduring Image”: Cammy Brothers on Drawing as a Way of Thinking

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Manage episode 408904767 series 2927700
Content provided by Caro Fowler. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Caro Fowler or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this final episode of the season focused on the craft of writing, Sara Houghteling (special projects coordinator in the Research and Academic Program) speaks with Cammy Brothers, a scholar of art and architecture at Northeastern University. In this episode, Brothers examines Michaelangelo’s drawing practice and that of his contemporary, Giuliano da Sangallo, and the ways in which da Sangallo’s architectural drawings aim to assemble fragmentary images of Rome on the page. Brothers also reflects on her career and writing practice: on publishing a first book that was not an adaptation of her doctoral dissertation; on the ways in which recitation is integral to clear and compelling scholarship; and on composing endings that open new lines of thought rather than summarizing or foreclosing meaning. She also discusses her role as a critic for the Wall Street Journal and the craft of writing for a public readership.

  continue reading

58 episodes

Artwork
iconShare
 
Manage episode 408904767 series 2927700
Content provided by Caro Fowler. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Caro Fowler or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this final episode of the season focused on the craft of writing, Sara Houghteling (special projects coordinator in the Research and Academic Program) speaks with Cammy Brothers, a scholar of art and architecture at Northeastern University. In this episode, Brothers examines Michaelangelo’s drawing practice and that of his contemporary, Giuliano da Sangallo, and the ways in which da Sangallo’s architectural drawings aim to assemble fragmentary images of Rome on the page. Brothers also reflects on her career and writing practice: on publishing a first book that was not an adaptation of her doctoral dissertation; on the ways in which recitation is integral to clear and compelling scholarship; and on composing endings that open new lines of thought rather than summarizing or foreclosing meaning. She also discusses her role as a critic for the Wall Street Journal and the craft of writing for a public readership.

  continue reading

58 episodes

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