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Disembodied Dance (very rough)

 
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Archived series ("Inactive feed" status)

When? This feed was archived on May 10, 2019 06:55 (5y ago). Last successful fetch was on May 11, 2019 05:27 (5y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

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Manage episode 45930965 series 19507
Content provided by Paul Cantrell. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Paul Cantrell or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

I have been busy applying for a fellowship, and also writing writing writing more music. Here is a new one in the set of dances I’ve been working on — as with the others I’ve recorded, a rough performance (there’s a section in the middle that is horrendously hobbled together), but enough to give you the idea. (The score.)

Paul Cantrell
Disembodied Dance (rough version)
Paul Cantrell, piano
? Download (5:04 / 6.2 M)

This is probably the weirdest, most abstract thing I’ve ever written. I love it. But be warned: those of you who found the Dance for Remembering and Forgetting a bit puzzling will be completely freaked out by this one. That is OK. It is your prerogative to be freaked out.

And yes, this is the same set of dances that includes the Cradle Waltz. I promise it will all make sense in the end.

Fascinating fun fact: I thought as I was writing this that it would turn out about three or four minutes long. As I got to the end, I though, “Well, it’s run up to five.” It wasn’t until I made this recording that I realized how long it actually is, and it took me completely by surprise. It doesn’t feel over seven minutes long to me — just as the third ballade doesn’t feel under ten. Strange how music alters our sense of the passage of time. Update: I made some substantial practices and made a re-recording, now it’s five. Was the finished length always in my mind? Moral: composition is as much a mystery to the composer as to everyone else.

  continue reading

74 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on May 10, 2019 06:55 (5y ago). Last successful fetch was on May 11, 2019 05:27 (5y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 45930965 series 19507
Content provided by Paul Cantrell. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Paul Cantrell or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

I have been busy applying for a fellowship, and also writing writing writing more music. Here is a new one in the set of dances I’ve been working on — as with the others I’ve recorded, a rough performance (there’s a section in the middle that is horrendously hobbled together), but enough to give you the idea. (The score.)

Paul Cantrell
Disembodied Dance (rough version)
Paul Cantrell, piano
? Download (5:04 / 6.2 M)

This is probably the weirdest, most abstract thing I’ve ever written. I love it. But be warned: those of you who found the Dance for Remembering and Forgetting a bit puzzling will be completely freaked out by this one. That is OK. It is your prerogative to be freaked out.

And yes, this is the same set of dances that includes the Cradle Waltz. I promise it will all make sense in the end.

Fascinating fun fact: I thought as I was writing this that it would turn out about three or four minutes long. As I got to the end, I though, “Well, it’s run up to five.” It wasn’t until I made this recording that I realized how long it actually is, and it took me completely by surprise. It doesn’t feel over seven minutes long to me — just as the third ballade doesn’t feel under ten. Strange how music alters our sense of the passage of time. Update: I made some substantial practices and made a re-recording, now it’s five. Was the finished length always in my mind? Moral: composition is as much a mystery to the composer as to everyone else.

  continue reading

74 episodes

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