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Schumann Arabesque, played by Don Betts

 
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When? This feed was archived on May 10, 2019 06:55 (5+ y ago). Last successful fetch was on May 11, 2019 05:27 (5+ y ago)

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Manage episode 45930958 series 19507
Content provided by Paul Cantrell. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Paul Cantrell or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In the Hands is primarily for my own recordings, but today I have a special exception to make: over the summer, I recorded Don Betts, my piano teacher, playing in his home. Don has made a great many excellent recordings over the years — including the Chopin album available on this web site — but these recordings we made in his living room are something entirely different. They have a special kind of magic about them. The Chopin album was recorded in a concert hall, and it has a concert hall feeling: it’s Don the performer, playing a big piano in a big space, and with a big manner to match. The way I really think of him, though, is Don the teacher: playing to an audience of one, not performing so much as sharing, hoping you will share his love and his sense of wonder for the music. These recordings are the first that truly capture the Don Betts I know best.

We recorded several pieces, and after much fiddling with EQ, I finally have the first recording prepared and sounding quite decent (though more work is needed!).

Robert Schumann
Arabesque (Op 18)
Donald Betts, piano
? Download (7:29 / 9.1 M)

Recording in this setting posed some challenges: I had to adapt a recording setup designed for my home studio to an entirely different piano in an entirely different space. It took some experimenting to get mic positions that worked. Don’s piano isn’t a concert instrument, and there was a funny buzz to contend with, plus the noises from outside — you can even hear Don’s fingernails clicking on the keys! I worry a little that listeners used to hearing clinically perfect studio recordings will be put off, but I think you’ll find that there is so much life in this music, your mind won’t notice the surface details for long. Close your eyes and imagine: you’re standing next to a master of the art, in his home, sharing with you what he loves.

  continue reading

74 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on May 10, 2019 06:55 (5+ y ago). Last successful fetch was on May 11, 2019 05:27 (5+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 45930958 series 19507
Content provided by Paul Cantrell. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Paul Cantrell or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In the Hands is primarily for my own recordings, but today I have a special exception to make: over the summer, I recorded Don Betts, my piano teacher, playing in his home. Don has made a great many excellent recordings over the years — including the Chopin album available on this web site — but these recordings we made in his living room are something entirely different. They have a special kind of magic about them. The Chopin album was recorded in a concert hall, and it has a concert hall feeling: it’s Don the performer, playing a big piano in a big space, and with a big manner to match. The way I really think of him, though, is Don the teacher: playing to an audience of one, not performing so much as sharing, hoping you will share his love and his sense of wonder for the music. These recordings are the first that truly capture the Don Betts I know best.

We recorded several pieces, and after much fiddling with EQ, I finally have the first recording prepared and sounding quite decent (though more work is needed!).

Robert Schumann
Arabesque (Op 18)
Donald Betts, piano
? Download (7:29 / 9.1 M)

Recording in this setting posed some challenges: I had to adapt a recording setup designed for my home studio to an entirely different piano in an entirely different space. It took some experimenting to get mic positions that worked. Don’s piano isn’t a concert instrument, and there was a funny buzz to contend with, plus the noises from outside — you can even hear Don’s fingernails clicking on the keys! I worry a little that listeners used to hearing clinically perfect studio recordings will be put off, but I think you’ll find that there is so much life in this music, your mind won’t notice the surface details for long. Close your eyes and imagine: you’re standing next to a master of the art, in his home, sharing with you what he loves.

  continue reading

74 episodes

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