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Neysa Page-Lieberman

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neysa_londonNeysa Page-Lieberman is a contemporary art curator, lecturer, writer and educator. Her areas of focus include feminism, African diaspora, social practice and public art. Currently she is the director of the Department of Exhibitions and Performance Spaces at Columbia College Chicago and the chief curator of the Wabash Arts Corridor. She also designed and teaches Columbia’s first course on curatorial theory and practice and lectures at the Art Institute of Chicago offering public programs on the Museum’s collections. She has produced over 200 exhibitions, collaborating with international artists and curators.

Curatorial highlights include Vacancy: Urban Interruption and (Re)generation, 2015, an affiliate exhibition of the inaugural Chicago Architecture Biennial, Not Ready to Make Nice: Guerrilla Girls in the Artworld and Beyond, touring nationally through 2017, RISK: Empathy, Art and Social Practice, 2014, Dis/Believer: Intersections of Science and Religion in Contemporary Art, 2010, Maria Magdalena Campos-Pons – Life Has Not Even Begun, 2009 and Vodou Riche: Contemporary Haitian Art, 2007. Neysa is an active participant in the Chicago arts community including mentoring emerging curators as a Mentor-Curator for Chicago Artists Coalition’s Curator Residency and working with the City’s Department of Cultural Affairs to develop the Year of Public Art in 2017. Recent professional affiliations include a fellowship in the Leadership Institute of the Association of Academic Museums and Galleries at the Kellogg School of Management at Northwestern University and a committee member in the College Art Associations’ Committee for Women in the Arts. She holds a masters in art history from Indiana University specializing in contemporary African diaspora. Her upcoming exhibition, The Longest Revolution: Feminist Social Practice, is co-curated with Melissa Potter and focuses on feminist theory and practice explored through socially and politically engaged art.

The book she mentioned is here, Secret History of Wonder Woman.

wac-stwts
Stop Telling Women to Smile, 2015, by Tatyana Fazlalizadeh, commissioned for the Wabash Arts Corridor
gg-installation-2
Not Ready to Make Nice: Guerrilla Girls in the Artworld and Beyond, exhibition installed at Stony Brook University, Fall 2016
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491 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on September 14, 2018 01:30 (6y ago). Last successful fetch was on August 06, 2018 12:43 (6y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 166137090 series 167495
Content provided by Brainard Carey. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brainard Carey or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

neysa_londonNeysa Page-Lieberman is a contemporary art curator, lecturer, writer and educator. Her areas of focus include feminism, African diaspora, social practice and public art. Currently she is the director of the Department of Exhibitions and Performance Spaces at Columbia College Chicago and the chief curator of the Wabash Arts Corridor. She also designed and teaches Columbia’s first course on curatorial theory and practice and lectures at the Art Institute of Chicago offering public programs on the Museum’s collections. She has produced over 200 exhibitions, collaborating with international artists and curators.

Curatorial highlights include Vacancy: Urban Interruption and (Re)generation, 2015, an affiliate exhibition of the inaugural Chicago Architecture Biennial, Not Ready to Make Nice: Guerrilla Girls in the Artworld and Beyond, touring nationally through 2017, RISK: Empathy, Art and Social Practice, 2014, Dis/Believer: Intersections of Science and Religion in Contemporary Art, 2010, Maria Magdalena Campos-Pons – Life Has Not Even Begun, 2009 and Vodou Riche: Contemporary Haitian Art, 2007. Neysa is an active participant in the Chicago arts community including mentoring emerging curators as a Mentor-Curator for Chicago Artists Coalition’s Curator Residency and working with the City’s Department of Cultural Affairs to develop the Year of Public Art in 2017. Recent professional affiliations include a fellowship in the Leadership Institute of the Association of Academic Museums and Galleries at the Kellogg School of Management at Northwestern University and a committee member in the College Art Associations’ Committee for Women in the Arts. She holds a masters in art history from Indiana University specializing in contemporary African diaspora. Her upcoming exhibition, The Longest Revolution: Feminist Social Practice, is co-curated with Melissa Potter and focuses on feminist theory and practice explored through socially and politically engaged art.

The book she mentioned is here, Secret History of Wonder Woman.

wac-stwts
Stop Telling Women to Smile, 2015, by Tatyana Fazlalizadeh, commissioned for the Wabash Arts Corridor
gg-installation-2
Not Ready to Make Nice: Guerrilla Girls in the Artworld and Beyond, exhibition installed at Stony Brook University, Fall 2016
  continue reading

491 episodes

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