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Epi 145: INXS Burst Their Own Bubble

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Manage episode 361485263 series 3425252
Content provided by Bee & Haydn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bee & Haydn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
With 30 years upon us since April 1993, it harks back to an anniversary period where INXS no longer felt controlled by the record company and commercial management interference. Thus, they embarked on one of the more daring and “punk-style” initiatives With Welcome to Wherever You Are barely seven months old, and with a plethora of new material from the Full Moon, Dirty Hearts recording sessions, INXS commenced a scaled-back, stripped-down and back-to-basics tour of clubs, pubs, and Universities in Australia and then Europe. Jumping off the cliché humdrum of album, world stadium tour, and promo press junkets, the band was excited to get back to basics: record more, tour less, and enjoy the purity of making vital music together. So, for the critics who saw smaller venues as a sign of a band’s popularity waning: dig a little deeper and you’ll find them recapturing artistic freedom and bursting the bubble of external industry expectations by “doing it their way”! Love and Peace ✌️ Haydn Have you signed the petition https://www.change.org/p/induct-inxs Click here to save The Tote https://www.pozible.com/profile/the-last-chance-to-save-the-tote #topsongs #topartists #greatesthits #michaelhutchence #AndrewFarriss #90smusic #inxspod #australianmusic #rocklegends #fanengagement #rockandrollhalloffame #MichaelHutchence #InductINXS​​​​​​​​​ #INXSRockNRocklHallOfFame​​​​​​​​​ #inxsrrhof #rrhofinxs #rrhoflive #rrhof2024 #rrhof #inxsmichaelhutchence #imjustamanfoundation #ijam #imjustaman
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198 episodes

Artwork
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Manage episode 361485263 series 3425252
Content provided by Bee & Haydn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bee & Haydn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
With 30 years upon us since April 1993, it harks back to an anniversary period where INXS no longer felt controlled by the record company and commercial management interference. Thus, they embarked on one of the more daring and “punk-style” initiatives With Welcome to Wherever You Are barely seven months old, and with a plethora of new material from the Full Moon, Dirty Hearts recording sessions, INXS commenced a scaled-back, stripped-down and back-to-basics tour of clubs, pubs, and Universities in Australia and then Europe. Jumping off the cliché humdrum of album, world stadium tour, and promo press junkets, the band was excited to get back to basics: record more, tour less, and enjoy the purity of making vital music together. So, for the critics who saw smaller venues as a sign of a band’s popularity waning: dig a little deeper and you’ll find them recapturing artistic freedom and bursting the bubble of external industry expectations by “doing it their way”! Love and Peace ✌️ Haydn Have you signed the petition https://www.change.org/p/induct-inxs Click here to save The Tote https://www.pozible.com/profile/the-last-chance-to-save-the-tote #topsongs #topartists #greatesthits #michaelhutchence #AndrewFarriss #90smusic #inxspod #australianmusic #rocklegends #fanengagement #rockandrollhalloffame #MichaelHutchence #InductINXS​​​​​​​​​ #INXSRockNRocklHallOfFame​​​​​​​​​ #inxsrrhof #rrhofinxs #rrhoflive #rrhof2024 #rrhof #inxsmichaelhutchence #imjustamanfoundation #ijam #imjustaman
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198 episodes

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