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Portrait of a Madman
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Episode 145
In the grand halls of Buckingham Palace, the unveiling of King Charles's latest royal portrait was nothing short of a spectacle. The room buzzed with anticipation, aristocrats and art critics alike whispering in hushed tones. As the velvet curtain was drawn back, revealing the artwork, gasps echoed through the room. There, emerging from what looked suspiciously like a bath of blood, was King Charles himself, with only his hands and face visible above the crimson tide.
The artist, Jonathan Yeo, stood beside his creation, beads of sweat dotting his forehead. His hands shook slightly as he attempted to explain his inspiration. He nervously explained his attempt to capture the essence of His Majesty's reign and the deep, historical roots of the monarchy.
One couldn't help but wonder if Yeo had tapped into the blood of Britain's ancient dalliance with empires long past. Was it the essence of 250 years of conquest and colonialism that stained the canvas so vividly? Or perhaps it was just the result of a particularly overzealous session with a bottle of Bordeaux.
Spectators marveled, some with morbid fascination, others with barely concealed horror. Was this a portrait or a scene from a vampire novel? It looked like he was about to rise from the depths and start a new reign of terror.
As the audience continued to take in the ominous scene, one question hung in the air: Was King Charles sending a message to the world, "Don't fuck with me?" With a portrait that seemed more like a dire warning than a royal tribute, it was hard not to imagine the king himself giving a sly, blood-tinged grin and nodding ever so slightly.
Despite Yeo's evident nervousness, the portrait seemed to encapsulate an eerie truth: the monarchy, drenched in the blood-red history of its conquests, still holds a spectral power. As King Charles's eyes seemed to follow each guest around the room, a shiver ran down their spines. Was this art, or an omen? One thing was clear: Yeo's masterpiece would be remembered, though perhaps not for the reasons he intended.
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Darren.
Music:
The Rolling Stones - Paint it Black
Neil Young - The Painter
Insta@justpassingthroughpodcast
Contact:justpassingthroughpodcast@gmail.com
Artwork @digitalnomadicart on Insta
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