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125 - The Boogeyman (2023)

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Manage episode 393630161 series 1219207
Content provided by King Me and Red Door Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by King Me and Red Door Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"A lot of it is about rhythm. A lot of it is about, well, I wanted to be able to see the whole movie, in color, so to speak. So I went through it. I can't remember exactly how I delineated it. But there are jump scares. Then there are more ghostly scares, these ambient scares, I think I called them that, the kind which don't really have a jolt payoff. They're all whispery, atmospheric scares. Then, there are kind of hide-and-seek scares, where the dynamic of the scene is about holding your breath and trying to keep the audience's attention. And then, there were chase scares. So I kind of broke it up like that. There were a few more, but I would just notice that 'Oh, we've got a run of three hide-and-seek scares here. We haven't had a jump scare for a while.' One of the best scares of the movie, the one where the Boogey jumps through the door, there was a big section of daytime scenes, and there just wasn't a scare. I thought, 'I want the audience to feel like even the daytime scenes are unsafe,' so I knew we had to give them something. I said, 'Let's do a well-executed, unexpected jump scare here to just break up this daytime section.' It was helpful just to be able to not get lost in the weeds, which is always a risk because there are so many details you can focus on." - Rob Savage, Director of The Boogeyman Get weekly bonus content on our Patreon: www.patreon.com/kingmepod
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259 episodes

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Manage episode 393630161 series 1219207
Content provided by King Me and Red Door Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by King Me and Red Door Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"A lot of it is about rhythm. A lot of it is about, well, I wanted to be able to see the whole movie, in color, so to speak. So I went through it. I can't remember exactly how I delineated it. But there are jump scares. Then there are more ghostly scares, these ambient scares, I think I called them that, the kind which don't really have a jolt payoff. They're all whispery, atmospheric scares. Then, there are kind of hide-and-seek scares, where the dynamic of the scene is about holding your breath and trying to keep the audience's attention. And then, there were chase scares. So I kind of broke it up like that. There were a few more, but I would just notice that 'Oh, we've got a run of three hide-and-seek scares here. We haven't had a jump scare for a while.' One of the best scares of the movie, the one where the Boogey jumps through the door, there was a big section of daytime scenes, and there just wasn't a scare. I thought, 'I want the audience to feel like even the daytime scenes are unsafe,' so I knew we had to give them something. I said, 'Let's do a well-executed, unexpected jump scare here to just break up this daytime section.' It was helpful just to be able to not get lost in the weeds, which is always a risk because there are so many details you can focus on." - Rob Savage, Director of The Boogeyman Get weekly bonus content on our Patreon: www.patreon.com/kingmepod
  continue reading

259 episodes

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