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Behind the New Work Exploring the Life and Legacy of Matthew Shepard

 
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Archived series ("Inactive feed" status)

When? This feed was archived on April 07, 2020 16:50 (4y ago). Last successful fetch was on January 18, 2019 02:37 (5+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

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Manage episode 208881549 series 1558342
Content provided by Classical KUSC. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Classical KUSC or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This weekend, composer and conductor Craig Hella Johnson brings his Austin, Texas-based choral ensemble Conspirare Company of Voices to Los Angeles for two performances of his evening-length work Considering Matthew Shepard under the stars at the Ford Amphitheatre. It’s a fitting venue for the work, which is a meditation on the life and legacy of Mathew Shepard, a young gay student at the University of Wyoming who, in October 1998, was kidnapped, beaten, tied to a fencepost, and left to die under a blanket of stars in a field outside the town of Laramie.

In a wide-ranging conversation with KUSC’s Brian Lauritzen, Craig Hella Johnson discusses his inspiration for Considering Matthew Shepard, his use of many different musical styles in the work, how society has progressed and regressed in the 20 years since the murder of Matthew Shepard, Johnson’s own journey through conversion therapy to eventually finding and accepting himself for who he is, and the search for hope among the pain of Shepard’s story.

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21 episodes

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Archived series ("Inactive feed" status)

When? This feed was archived on April 07, 2020 16:50 (4y ago). Last successful fetch was on January 18, 2019 02:37 (5+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 208881549 series 1558342
Content provided by Classical KUSC. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Classical KUSC or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This weekend, composer and conductor Craig Hella Johnson brings his Austin, Texas-based choral ensemble Conspirare Company of Voices to Los Angeles for two performances of his evening-length work Considering Matthew Shepard under the stars at the Ford Amphitheatre. It’s a fitting venue for the work, which is a meditation on the life and legacy of Mathew Shepard, a young gay student at the University of Wyoming who, in October 1998, was kidnapped, beaten, tied to a fencepost, and left to die under a blanket of stars in a field outside the town of Laramie.

In a wide-ranging conversation with KUSC’s Brian Lauritzen, Craig Hella Johnson discusses his inspiration for Considering Matthew Shepard, his use of many different musical styles in the work, how society has progressed and regressed in the 20 years since the murder of Matthew Shepard, Johnson’s own journey through conversion therapy to eventually finding and accepting himself for who he is, and the search for hope among the pain of Shepard’s story.

  continue reading

21 episodes

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