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Fiji village life with new instruments

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Manage episode 245752561 series 2480868
Content provided by Cullen Pope. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cullen Pope or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Fiji village life with new instruments

Join us near a Fiji village as we hear from Debra Waters and a team of volunteers with the Johken school music department

Since Debra and her team visited the Johken school over the last couple of times, the school have started a music department.

During previous visits, they also managed to bring over many guitars, bongos, flutes, percussion instruments. They have also spent three days teaching all the school children's 274 students from 1st t 6th class how to play the instruments.

Over time the team have been receiving donations to support the school supporting children from Fiji villages near Navua. On a recent trip up to 100kg of school equipment and medical supplies were delivered to a local small 12-bed hospital in Navua, and the Johken school of over 235 students also in Navua.

Navua is a small town that floods regularly with the overflow from the Navua river. Apparently, this was the river used to film the blockbuster Anaconda.

During that time the team were also able to learn how Tapa prints made. The Masi plants used to make Tapa prints grow very well in Vatulele because of the rocky soil, mixed with sand.

The plant is also called the Mulberry plant and can grow up to ten to sixteen foot long. The plant and can also take from six to ten months to fully mature.

The weather is also ideal for growing the Masi ( Mulberry plant) to as the climate is hot on the volcanic island of Vatulele. Masi, as it is known on Vatulele, is also a primary source of income.

Mostly men from the local Fiji village work in the plantation working on the second stage stripping process. This process involves separating the bark of the mulberry plant from the stem.

The women do mainly separate the bark of the mulberry plant from the stem. They use their feet to hold the stem and use their hands to pull out the bark. The bark is like a long strip once it is pulled out from the stem.

A third process is used to scrape the bark.

The knife is used to scrap the outer skin of the bark strip to achieve smooth white strips.

The fourth stage is soaking the strips of the bark cloth in water.

Because drinking water is conserved, in Vatulele seawater is used to soak the bark cloth. The strips are then prepared for the beating by soaking them. Soaking achieves a softer texture to the bark strips. And it can quickly be soaked just a few hours before beating process.

The fifth stage of the beating process Each strip is beaten up using a wooden mallet, and that is shaped like a flat club. The strips are laid flat on a long wooden flat log that is carved by men in the village. Each strip is beaten until it is soft and up to a foot wide.

This process is the most laborious part of beating process known as " vava ha" to the men of the Fiji village.

The strips of Masi are layered on top of each other using three or four strips until they are about two feet wide. After that more beating is required until they achieve a six by two feet wide white Tapa to be used for painting. On an average, this can take a whole day for one woman to beat out a complete piece of six by two-foot tapa.

The sixth stage the drying process is where the tapa is spread out to dry.

The wet tapa cloth is then placed on strips of metal sheets or other flat surfaces as the tapa dries faster on larger surfaces.

The metal sheet sizes ten by two feet are used nowadays because tapa is dried faster and it only takes a few hours for tapa cloth to be completely dry.

The final stage is when tapa is designed using dyes. A brown dye is made from the wooden bark of the tree which is soaked and cooked till it's a thicker texture to become a brown paint or dye.

Women designing tapas with the the Masi The Masi are designed often using designs uniquely from Vatulele island passed down from generation to generation. The stencils are cut on X-ray films or cardboard and used to print the designs on tapa cloth. Tapa is used in Fiji for special occasions identifying with Fijian culture

You can contact Debra here if you would like to make a donation or support the team in some way.

  continue reading

109 episodes

Artwork
iconShare
 
Manage episode 245752561 series 2480868
Content provided by Cullen Pope. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cullen Pope or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Fiji village life with new instruments

Join us near a Fiji village as we hear from Debra Waters and a team of volunteers with the Johken school music department

Since Debra and her team visited the Johken school over the last couple of times, the school have started a music department.

During previous visits, they also managed to bring over many guitars, bongos, flutes, percussion instruments. They have also spent three days teaching all the school children's 274 students from 1st t 6th class how to play the instruments.

Over time the team have been receiving donations to support the school supporting children from Fiji villages near Navua. On a recent trip up to 100kg of school equipment and medical supplies were delivered to a local small 12-bed hospital in Navua, and the Johken school of over 235 students also in Navua.

Navua is a small town that floods regularly with the overflow from the Navua river. Apparently, this was the river used to film the blockbuster Anaconda.

During that time the team were also able to learn how Tapa prints made. The Masi plants used to make Tapa prints grow very well in Vatulele because of the rocky soil, mixed with sand.

The plant is also called the Mulberry plant and can grow up to ten to sixteen foot long. The plant and can also take from six to ten months to fully mature.

The weather is also ideal for growing the Masi ( Mulberry plant) to as the climate is hot on the volcanic island of Vatulele. Masi, as it is known on Vatulele, is also a primary source of income.

Mostly men from the local Fiji village work in the plantation working on the second stage stripping process. This process involves separating the bark of the mulberry plant from the stem.

The women do mainly separate the bark of the mulberry plant from the stem. They use their feet to hold the stem and use their hands to pull out the bark. The bark is like a long strip once it is pulled out from the stem.

A third process is used to scrape the bark.

The knife is used to scrap the outer skin of the bark strip to achieve smooth white strips.

The fourth stage is soaking the strips of the bark cloth in water.

Because drinking water is conserved, in Vatulele seawater is used to soak the bark cloth. The strips are then prepared for the beating by soaking them. Soaking achieves a softer texture to the bark strips. And it can quickly be soaked just a few hours before beating process.

The fifth stage of the beating process Each strip is beaten up using a wooden mallet, and that is shaped like a flat club. The strips are laid flat on a long wooden flat log that is carved by men in the village. Each strip is beaten until it is soft and up to a foot wide.

This process is the most laborious part of beating process known as " vava ha" to the men of the Fiji village.

The strips of Masi are layered on top of each other using three or four strips until they are about two feet wide. After that more beating is required until they achieve a six by two feet wide white Tapa to be used for painting. On an average, this can take a whole day for one woman to beat out a complete piece of six by two-foot tapa.

The sixth stage the drying process is where the tapa is spread out to dry.

The wet tapa cloth is then placed on strips of metal sheets or other flat surfaces as the tapa dries faster on larger surfaces.

The metal sheet sizes ten by two feet are used nowadays because tapa is dried faster and it only takes a few hours for tapa cloth to be completely dry.

The final stage is when tapa is designed using dyes. A brown dye is made from the wooden bark of the tree which is soaked and cooked till it's a thicker texture to become a brown paint or dye.

Women designing tapas with the the Masi The Masi are designed often using designs uniquely from Vatulele island passed down from generation to generation. The stencils are cut on X-ray films or cardboard and used to print the designs on tapa cloth. Tapa is used in Fiji for special occasions identifying with Fijian culture

You can contact Debra here if you would like to make a donation or support the team in some way.

  continue reading

109 episodes

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