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Lingüa Brütallica - Episode 19: Karina Utomo of High Tension and Rinuwat (Melbourne)

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In this episode, we speak with Karina Utomo about her longstanding work with extreme metal band High Tension, and her more recent undertakings with experimental project Rinuwat. While these projects may appear to discuss distinct contexts at first glance, Karina explains how both are vehicles for her exploration of different aspects of her Indonesian cultural heritage and research of Indonesian historical events. Lyrics from High Tension begin to reflect on revelations drawn from Karina's engagement with survivors of Indonesia's 1965-1966 anti-communist purge. Her compositions for Rinuwat then bring further focus to Indonesian history and cultural knowledge via a combination of traditional gamelan notation and Javanese cultural references written in Indonesian (Bahasa Indonesia) and Old Javanese (Bahasa Kawi). Ultimately, Karina views both projects as methods of decolonizing metal and tapping into the sonic power that ancient languages and cultures offer. To see more from High Tension and Rinuwat go to https://hightensionband.bandcamp.com/ and https://rinuwat.bandcamp.com/.

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59 episodes

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Manage episode 318317712 series 2912897
Content provided by linguabrutallica. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by linguabrutallica or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, we speak with Karina Utomo about her longstanding work with extreme metal band High Tension, and her more recent undertakings with experimental project Rinuwat. While these projects may appear to discuss distinct contexts at first glance, Karina explains how both are vehicles for her exploration of different aspects of her Indonesian cultural heritage and research of Indonesian historical events. Lyrics from High Tension begin to reflect on revelations drawn from Karina's engagement with survivors of Indonesia's 1965-1966 anti-communist purge. Her compositions for Rinuwat then bring further focus to Indonesian history and cultural knowledge via a combination of traditional gamelan notation and Javanese cultural references written in Indonesian (Bahasa Indonesia) and Old Javanese (Bahasa Kawi). Ultimately, Karina views both projects as methods of decolonizing metal and tapping into the sonic power that ancient languages and cultures offer. To see more from High Tension and Rinuwat go to https://hightensionband.bandcamp.com/ and https://rinuwat.bandcamp.com/.

  continue reading

59 episodes

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