Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Lingüa Brütallica - Episode 26: Chris & Stony of Party Cannon (Fife, Scotland)
Manage episode 332684370 series 2912897
Content provided by linguabrutallica. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by linguabrutallica or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this episode, we unpack an approach to lyric-writing that’s totally different from that featured previously on the podcast by talking to Chris and Stony of party slam project, Party Cannon. Unlike other bands we’ve spoken to in the past, Party Cannon does not publish any of their lyrics, and in most cases, doesn’t even write them down. In our interview, Stony and Chris take us through their creative process of developing a mood board of lyrical content that they draw on to record lyrics, continuously shaping their content throughout the recording process. The resulting product combines light-hearted parody, embodied in their infamous logo, and classic death metal gore, delivered through vocal stylings that frequently blur the boundaries between recognisable words and animal noises. And so, this episode allows us to ask an essential question – what is the role of language in lyrics that may not have a fixed form?
To see more from Party Cannon, go to https://partycannon.bandcamp.com/
To view the music video for 'I Believe in Dani Filth', mentioned in our interview, go to: https://youtu.be/QW8M_a3XzfQ
61 episodes
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Manage episode 332684370 series 2912897
Content provided by linguabrutallica. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by linguabrutallica or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this episode, we unpack an approach to lyric-writing that’s totally different from that featured previously on the podcast by talking to Chris and Stony of party slam project, Party Cannon. Unlike other bands we’ve spoken to in the past, Party Cannon does not publish any of their lyrics, and in most cases, doesn’t even write them down. In our interview, Stony and Chris take us through their creative process of developing a mood board of lyrical content that they draw on to record lyrics, continuously shaping their content throughout the recording process. The resulting product combines light-hearted parody, embodied in their infamous logo, and classic death metal gore, delivered through vocal stylings that frequently blur the boundaries between recognisable words and animal noises. And so, this episode allows us to ask an essential question – what is the role of language in lyrics that may not have a fixed form?
To see more from Party Cannon, go to https://partycannon.bandcamp.com/
To view the music video for 'I Believe in Dani Filth', mentioned in our interview, go to: https://youtu.be/QW8M_a3XzfQ
61 episodes
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Similar to Lingua Brutallica
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
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…
continue reading
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continue reading
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