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Lingüa Brütallica - Episode 47: Serena Cherry of Svalbard (Bristol, England)
Manage episode 379802938 series 2912897
Content provided by linguabrutallica. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by linguabrutallica or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Our interview with Serena Cherry begins with the vocalist setting the record straight on Svalbard's common mistyping as a hardcore band, instead offering post-metal, black metal, and even post-rock as more suitable alternatives, demonstrating how her music, and accompanying lyrics, are notoriously difficult to set against a single genre label. As our interview progresses, Serena guides us through her lyrical catalogue, starting with the unflinching critique of sexism and misogyny both within and outside of the music scene that characterised her early work before moving to the more abstract, emotionally-charged and introspective lyrics produced for Svalbard's latest release. Consistent across these works is Serena's direct and unfiltered lyrical style that leaves listeners no choice but to confront their emotionally resonant themes.
To see more from Svalbard, go to: https://svalbard.bandcamp.com/ ; https://www.facebook.com/svalbarduk/
59 episodes
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Manage episode 379802938 series 2912897
Content provided by linguabrutallica. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by linguabrutallica or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Our interview with Serena Cherry begins with the vocalist setting the record straight on Svalbard's common mistyping as a hardcore band, instead offering post-metal, black metal, and even post-rock as more suitable alternatives, demonstrating how her music, and accompanying lyrics, are notoriously difficult to set against a single genre label. As our interview progresses, Serena guides us through her lyrical catalogue, starting with the unflinching critique of sexism and misogyny both within and outside of the music scene that characterised her early work before moving to the more abstract, emotionally-charged and introspective lyrics produced for Svalbard's latest release. Consistent across these works is Serena's direct and unfiltered lyrical style that leaves listeners no choice but to confront their emotionally resonant themes.
To see more from Svalbard, go to: https://svalbard.bandcamp.com/ ; https://www.facebook.com/svalbarduk/
59 episodes
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Similar to Lingua Brutallica
Your source for Metal news, views, tunes and interviews!
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This blues podcast brings the best of blues music to ya, old and new, signed and unsigned! Get a refill on your favorite drink, grab a seat, and get ready to get some blues in the blood!
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K-100 Radio a music and talk radio broadcast based out of Atlanta, GA. We are a LIVE 24/7 broadcast, but we also use Blog Talk Radio to engage with our audience live on the air. Visit our main site at K100Radio.com to learn more and tune in. You can download our FREE mobile apps for Android and iPhone devices. We are also listed on Tunein Radio just search for us and follow the broadcast. Our talk segments and discussions include straight up no chaser conversations about Music, Social Issues ...
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continue reading
In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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Join musician Chris Fafalios (Punchline, Another Cheetah, Pack) as he listens to different one hit wonders with a revolving door of guests (including his bandmates and/or people from bands that he has toured with). After listening to the back catalog of the week's artist, they decide if the artist is a one hit blunder (shouldn't have had any success) or brought the one hit thunder (deserved to be much bigger than they were).
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