Artwork

Content provided by Louisiana Channel. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Louisiana Channel or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

Clemens Setz

19:58
 
Share
 

Archived series ("Inactive feed" status)

When? This feed was archived on June 01, 2017 19:19 (7y ago). Last successful fetch was on April 29, 2017 04:58 (7y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 159003114 series 105425
Content provided by Louisiana Channel. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Louisiana Channel or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Clemens Setz did not read until the age of 16. After being forced to quit his favorite drug, computers, due to intense migraines Setz tried different things to distract himself. “I was incredibly bored,” he explains, “nothing is interesting when you no longer have your drug.” The boredom lasted until he found himself crying over a poem by experimental Austrian poet Ernst Jandl. “Not just the pleasant tears of a literary connoisseur, but proper bawling. I never thought that seven lines could have such an effect.” During this interview Setz gives a tender reading of the poem that opened his eyes to the power of writing. “When someone writes about the mysteries of man or about the unhappiness of being in love or fear of death, they write about things that I also experience.” Comparing reading to traveling, Setz says: “When someone travels a lot, the world doesn’t become smaller, it gets bigger.” Over time reading, like travelling, intensifies in depth and richness of experience, explains the Austrian writer. For Setz, art is a kind of conversation of caresses and signals in which the readers can recognize themselves. “I am a person who would like to respond to that,” he explains, “not out of virtue, but more like an insecure, childish, pubescent desire to be part of the game one feels is so important.” He himself started by writing parodies at school as a way of getting the absurdity of German lessons out of his system and gradually discovered the magic of literature. “With time, once you discover literature, the benefit of it, this joy, this declaration of love towards strange and dead people.” Clemens Setz (b. 1982) is an Austrian writer and translator, who debuted in 2007 with the novel ‘Söhne und Planeten’. Setz has received numerous prizes for his work, including the Leipzig Book Fair Prize in 2011 for the short story collection ‘Die Liebe zur Zeit des Mahlstädter Kindes’ and Wilhelm Raabe Literure Prize for ‘Die Stunde zwischen Frau und Gitarre’ in 2015. His second novel ‘Die Frequenzen’ was shortlisted for the German Book Prize in 2009, as was his novel ‘Indigo’ in 2012. He lives in Graz, Austria. Clemens Setz was interviewed by Philipp Alexander Ostrowicz at Rungstedgaard in connection to the Louisiana Literature festival at the Louisiana Museum of Modern Art, Denmark in August 2015. Camera: Simon Weyhe Edited by: Klaus Elmer Produced by: Marc-Christoph Wagner Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2016 Supported by Nordea-fonden
  continue reading

456 episodes

Artwork

Clemens Setz

Louisiana Channel

published

iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on June 01, 2017 19:19 (7y ago). Last successful fetch was on April 29, 2017 04:58 (7y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 159003114 series 105425
Content provided by Louisiana Channel. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Louisiana Channel or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Clemens Setz did not read until the age of 16. After being forced to quit his favorite drug, computers, due to intense migraines Setz tried different things to distract himself. “I was incredibly bored,” he explains, “nothing is interesting when you no longer have your drug.” The boredom lasted until he found himself crying over a poem by experimental Austrian poet Ernst Jandl. “Not just the pleasant tears of a literary connoisseur, but proper bawling. I never thought that seven lines could have such an effect.” During this interview Setz gives a tender reading of the poem that opened his eyes to the power of writing. “When someone writes about the mysteries of man or about the unhappiness of being in love or fear of death, they write about things that I also experience.” Comparing reading to traveling, Setz says: “When someone travels a lot, the world doesn’t become smaller, it gets bigger.” Over time reading, like travelling, intensifies in depth and richness of experience, explains the Austrian writer. For Setz, art is a kind of conversation of caresses and signals in which the readers can recognize themselves. “I am a person who would like to respond to that,” he explains, “not out of virtue, but more like an insecure, childish, pubescent desire to be part of the game one feels is so important.” He himself started by writing parodies at school as a way of getting the absurdity of German lessons out of his system and gradually discovered the magic of literature. “With time, once you discover literature, the benefit of it, this joy, this declaration of love towards strange and dead people.” Clemens Setz (b. 1982) is an Austrian writer and translator, who debuted in 2007 with the novel ‘Söhne und Planeten’. Setz has received numerous prizes for his work, including the Leipzig Book Fair Prize in 2011 for the short story collection ‘Die Liebe zur Zeit des Mahlstädter Kindes’ and Wilhelm Raabe Literure Prize for ‘Die Stunde zwischen Frau und Gitarre’ in 2015. His second novel ‘Die Frequenzen’ was shortlisted for the German Book Prize in 2009, as was his novel ‘Indigo’ in 2012. He lives in Graz, Austria. Clemens Setz was interviewed by Philipp Alexander Ostrowicz at Rungstedgaard in connection to the Louisiana Literature festival at the Louisiana Museum of Modern Art, Denmark in August 2015. Camera: Simon Weyhe Edited by: Klaus Elmer Produced by: Marc-Christoph Wagner Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2016 Supported by Nordea-fonden
  continue reading

456 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide