Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Al Schmitt - Making It as an Iconic Producer/Engineer
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Manage episode 229281947 series 1313455
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As a child living in New York City, Al Schmitt would catch the subway on weekends to spend the day at his uncle’s recording studio, observing different engineering techniques. At 19, Schmitt began working with Tom Dowd at Apex Studios in New York City. He worked as an independant engineer at Atlantic Records and Prestige Records, and after moving to California, he started working at Radio Recorders. RCA Records hired Schmitt as a staff producer for their label and a staff engineer at their Hollywood studio. This let Schmitt develop his wide-ranging engineering skills by working with the various pop, jazz, classical, and country … With an unparalleled 24 (twenty-four) Grammy Awards for engineering, Schmitt epitomizes great recording through decades of technological change. The legendary and world-renowned recording engineer received a Grammy in 2002 for Diana Krall’s “The Look of Love.” Schmitt, who has worked with Krall on her past five albums. Up one aisle you’ll find Frank Sinatra, Henry Mancini, Sam Cooke, Ray Charles, and Miles Davis; up another you’ll bump into Jefferson Airplane, Jackson Browne, Neil Young, Johnny Cash, Willie Nelson, Kenny Rogers and Steely Dan. Round a corner and you’ll encounter Barbra Streisand, Natalie Cole, Madonna, and Quincy Jones mingling with Michael Jackson, Diana Krall, Celine Dion, Paul McCartney, and Michael Buble. Schmitt captured his first Grammy for Best Engineered recording in 1962 for Henry Mancini’s “Hatari”. Nine subsequent Grammy’s in the same category stretched through the decades: 1976: George Benson’s “Breezin'”, 1977: Steely Dan’s “Aja”, 1978: Steely Dan’s “FM”, 1982: Toto’s “Toto IV”, 1991: Natalie Cole’s “Unforgettable,” 1996: Quincy Jones’ “Q’s Jook Joint,” Diana Krall’s “When I Look In Your Eyes,” and two Latin Grammys with Luis Miguel.Al Schmitt’s celebrated engineering and mixing skills are showcased on over 150 gold and platinum albums. In ’97 Al became an inductee into the TEC Awards Hall of Fame. In 2015 Schmitt became the first recording engineer to be presented with a star on the Hollywood walk of fame in front of Capitol records.
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150 episodes
MP3•Episode home
Manage episode 229281947 series 1313455
Content provided by EnterTalk. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by EnterTalk or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
As a child living in New York City, Al Schmitt would catch the subway on weekends to spend the day at his uncle’s recording studio, observing different engineering techniques. At 19, Schmitt began working with Tom Dowd at Apex Studios in New York City. He worked as an independant engineer at Atlantic Records and Prestige Records, and after moving to California, he started working at Radio Recorders. RCA Records hired Schmitt as a staff producer for their label and a staff engineer at their Hollywood studio. This let Schmitt develop his wide-ranging engineering skills by working with the various pop, jazz, classical, and country … With an unparalleled 24 (twenty-four) Grammy Awards for engineering, Schmitt epitomizes great recording through decades of technological change. The legendary and world-renowned recording engineer received a Grammy in 2002 for Diana Krall’s “The Look of Love.” Schmitt, who has worked with Krall on her past five albums. Up one aisle you’ll find Frank Sinatra, Henry Mancini, Sam Cooke, Ray Charles, and Miles Davis; up another you’ll bump into Jefferson Airplane, Jackson Browne, Neil Young, Johnny Cash, Willie Nelson, Kenny Rogers and Steely Dan. Round a corner and you’ll encounter Barbra Streisand, Natalie Cole, Madonna, and Quincy Jones mingling with Michael Jackson, Diana Krall, Celine Dion, Paul McCartney, and Michael Buble. Schmitt captured his first Grammy for Best Engineered recording in 1962 for Henry Mancini’s “Hatari”. Nine subsequent Grammy’s in the same category stretched through the decades: 1976: George Benson’s “Breezin'”, 1977: Steely Dan’s “Aja”, 1978: Steely Dan’s “FM”, 1982: Toto’s “Toto IV”, 1991: Natalie Cole’s “Unforgettable,” 1996: Quincy Jones’ “Q’s Jook Joint,” Diana Krall’s “When I Look In Your Eyes,” and two Latin Grammys with Luis Miguel.Al Schmitt’s celebrated engineering and mixing skills are showcased on over 150 gold and platinum albums. In ’97 Al became an inductee into the TEC Awards Hall of Fame. In 2015 Schmitt became the first recording engineer to be presented with a star on the Hollywood walk of fame in front of Capitol records.
…
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150 episodes
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