Artwork

Content provided by Jake Haws. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jake Haws or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

Ep. 42: Song “Scarlet Letter” (Influenced by Radiohead)

13:32
 
Share
 

Archived series ("iTunes Redirect" status)

Replaced by: Making Music with Jake Haws

When? This feed was archived on December 27, 2017 18:07 (6+ y ago). Last successful fetch was on December 22, 2017 17:34 (7y ago)

Why? iTunes Redirect status. The feed contained an iTunes new feed tag.

What now? If you were subscribed to this series when it was replaced, you will now be subscribed to the replacement series. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 176322503 series 1230966
Content provided by Jake Haws. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jake Haws or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week's song is called "Scarlet Letter," which was released by my band Declaration on our 2006 album, Panic Button.

This was originally written during my senior year of high school for a class project. We were reading the book, "The Scarlet Letter," and tasked with doing something creative to depict certain aspects of the story. Most people made posters or collages but I decided to write a song and perform it for the class. This is one of the few times I've actually sat down and started writing a song with a topic in mind beforehand.

To give you a little background about the story, it takes place in Puritan times. The main character, Hester Prynne, whose husband was presumed lost at sea, has committed adultery and forced to wear a scarlet colored "A" on her chest so that everyone in the town would know what she had done. As it turns out, the person she committed adultery with was the town's priest, Arthur Dimmesdale, who is put in a position where he feels forced to condemn her publicly but secretly is racked with the guilt and torment of what he had done and of knowing what a hypocrite he actually is. Eventually, he confesses his sin to the town and opens his shirt to reveal scars from the letter "A" he carved on his own chest, signifying that while Hester openly carries the burden of sin, his was carried in secret until now.

So, the lyrics are written from the priest's perspective and speak of his torment as well as the need he felt to come clean and live a repentant, virtuous life.

The mood and tone I was going for was something along the lines of Radiohead's song, Exit Music (For A Film) from their album OK Computer.

So, fast forward about a year. I had just finished my first year at BYU and was about the leave on a mission. I had a friend who was studying sound recording and needed someone to record for his project. I came in BYU's studio and laid down piano, vocals, drums and bass. Here's what the first version sounds like.

During my mission, it would occasionally come up that I was a songwriter and people would want to hear one of my songs. This was usually the song I would play to them if they had a piano in their house. Plus, it also has a spiritual component to it so it made sense to play it as a missionary, I think.

After I returned home from my mission, I reformed my band, Declaration and we set out to record an album. Originally, we tried to recreate the version of the song I recorded I few years before. It felt a little vanilla so we decided to experiment with some different sounds.

The first of those was a wurlitzer electric piano. One of my friends was storing it in my studio so we gave it a try. We ran it through a guitar amp for the recording. It has a really cool, smooth sound quite different from a regular piano and we felt like it really added something interesting to the song so we went with it.

After the wurlitzer was recorded, we laid down the drums. I think we got a really good tone with the recording. We added a small room reverb effect and a light delay or echo effect to help it sound a little fuller and give it additional texture.

There are three electric guitar tracks on this song. The first is played clean, lightly strumming the chords with a thin, washy tone.

The next guitar plucks the chords in an arpeggiated pattern with a light delay effect.

The third guitar has a stronger delay effect and heavy reverb. We were going for a spacey, cosmic sound here. The notes are played in a tremelo strumming style much like on Radiohead's song.

Halfway through the song, the drums cut out for the third verse. I thought the song could use a shift in texture at this point so we added a church organ.

When the drums come back in for the chorus, we wanted a big, epic moment so I recorded three tracks of ohs and ahs, layered with a lot of reverb to give the impression of a choir singing in a cathedral.

I think all these elements came together nicely to make for an interesting production. Here's the final version of the song. I hope you like it.

Download "Scarlet Letter" on Bandcamp

Become a sponsor of this podcast through Patreon.com

  continue reading

60 episodes

Artwork
iconShare
 

Archived series ("iTunes Redirect" status)

Replaced by: Making Music with Jake Haws

When? This feed was archived on December 27, 2017 18:07 (6+ y ago). Last successful fetch was on December 22, 2017 17:34 (7y ago)

Why? iTunes Redirect status. The feed contained an iTunes new feed tag.

What now? If you were subscribed to this series when it was replaced, you will now be subscribed to the replacement series. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 176322503 series 1230966
Content provided by Jake Haws. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jake Haws or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week's song is called "Scarlet Letter," which was released by my band Declaration on our 2006 album, Panic Button.

This was originally written during my senior year of high school for a class project. We were reading the book, "The Scarlet Letter," and tasked with doing something creative to depict certain aspects of the story. Most people made posters or collages but I decided to write a song and perform it for the class. This is one of the few times I've actually sat down and started writing a song with a topic in mind beforehand.

To give you a little background about the story, it takes place in Puritan times. The main character, Hester Prynne, whose husband was presumed lost at sea, has committed adultery and forced to wear a scarlet colored "A" on her chest so that everyone in the town would know what she had done. As it turns out, the person she committed adultery with was the town's priest, Arthur Dimmesdale, who is put in a position where he feels forced to condemn her publicly but secretly is racked with the guilt and torment of what he had done and of knowing what a hypocrite he actually is. Eventually, he confesses his sin to the town and opens his shirt to reveal scars from the letter "A" he carved on his own chest, signifying that while Hester openly carries the burden of sin, his was carried in secret until now.

So, the lyrics are written from the priest's perspective and speak of his torment as well as the need he felt to come clean and live a repentant, virtuous life.

The mood and tone I was going for was something along the lines of Radiohead's song, Exit Music (For A Film) from their album OK Computer.

So, fast forward about a year. I had just finished my first year at BYU and was about the leave on a mission. I had a friend who was studying sound recording and needed someone to record for his project. I came in BYU's studio and laid down piano, vocals, drums and bass. Here's what the first version sounds like.

During my mission, it would occasionally come up that I was a songwriter and people would want to hear one of my songs. This was usually the song I would play to them if they had a piano in their house. Plus, it also has a spiritual component to it so it made sense to play it as a missionary, I think.

After I returned home from my mission, I reformed my band, Declaration and we set out to record an album. Originally, we tried to recreate the version of the song I recorded I few years before. It felt a little vanilla so we decided to experiment with some different sounds.

The first of those was a wurlitzer electric piano. One of my friends was storing it in my studio so we gave it a try. We ran it through a guitar amp for the recording. It has a really cool, smooth sound quite different from a regular piano and we felt like it really added something interesting to the song so we went with it.

After the wurlitzer was recorded, we laid down the drums. I think we got a really good tone with the recording. We added a small room reverb effect and a light delay or echo effect to help it sound a little fuller and give it additional texture.

There are three electric guitar tracks on this song. The first is played clean, lightly strumming the chords with a thin, washy tone.

The next guitar plucks the chords in an arpeggiated pattern with a light delay effect.

The third guitar has a stronger delay effect and heavy reverb. We were going for a spacey, cosmic sound here. The notes are played in a tremelo strumming style much like on Radiohead's song.

Halfway through the song, the drums cut out for the third verse. I thought the song could use a shift in texture at this point so we added a church organ.

When the drums come back in for the chorus, we wanted a big, epic moment so I recorded three tracks of ohs and ahs, layered with a lot of reverb to give the impression of a choir singing in a cathedral.

I think all these elements came together nicely to make for an interesting production. Here's the final version of the song. I hope you like it.

Download "Scarlet Letter" on Bandcamp

Become a sponsor of this podcast through Patreon.com

  continue reading

60 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide