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Listening across class divide

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Manage episode 423544904 series 3170190
Content provided by Sophie Hope & Owen Kelly, Sophie Hope, and Amp; Owen Kelly. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sophie Hope & Owen Kelly, Sophie Hope, and Amp; Owen Kelly or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Sound artist and composer Simon James reflects on his recent project with young people in Whitehawk, initiated as part of the Class Divide campaign - fighting against the educational attainment gap in East Brighton. Sounds recorded during workshops, both on the Whitehawk housing estate and on an adjacent archaeological site, formed part of the exhibition Neolithic Cannibals: Deep Listening to the Unheard. Neolithic Cannibals recreated the Neolithic Camp - a place of communion, celebration, and ritual - as a compassionate listening space inviting audiences to discover Whitehawk's richness, joy, playfulness, and hope, empowering local voices through rarely explored sonic expressions. Simon discusses the process of the project, and how listening played a central part throughout it.
  continue reading

232 episodes

Artwork
iconShare
 
Manage episode 423544904 series 3170190
Content provided by Sophie Hope & Owen Kelly, Sophie Hope, and Amp; Owen Kelly. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sophie Hope & Owen Kelly, Sophie Hope, and Amp; Owen Kelly or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Sound artist and composer Simon James reflects on his recent project with young people in Whitehawk, initiated as part of the Class Divide campaign - fighting against the educational attainment gap in East Brighton. Sounds recorded during workshops, both on the Whitehawk housing estate and on an adjacent archaeological site, formed part of the exhibition Neolithic Cannibals: Deep Listening to the Unheard. Neolithic Cannibals recreated the Neolithic Camp - a place of communion, celebration, and ritual - as a compassionate listening space inviting audiences to discover Whitehawk's richness, joy, playfulness, and hope, empowering local voices through rarely explored sonic expressions. Simon discusses the process of the project, and how listening played a central part throughout it.
  continue reading

232 episodes

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