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The Sync Success Mentality with Gilde Flores

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Manage episode 356483252 series 2895849
Content provided by Anthony Clint Jr.. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Anthony Clint Jr. or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

On this episode we talk with Gilde Flores and dive into the following topics:

  • What are some of the things you've been working on?
  • How's your experience with scoring a picture and how does it differ from just composing cues for a TV show or creating music and then the music just getting synced?
  • Do you go produce the track and then bring it back in and place it in the scene? Or are you composing the tracks to picture in real time and then changing tempos?
  • What's better working with libraries or directly with music supervisors?
  • What gets you blacklisted?

Follow Clint on IG: https://www.instagram.com/clintmusic

Watch Clint on Youtube: https://www.youtube.com/aclintjr

Link To Resources: https://www.clintproductions.com/linkinbio

Social Media Growth for Producers: https://www.clintproductions.com/courses

Flodesk: https://www.clintproductions.com/flodesk

Follow Gilde on IG: https://www.instagram.com/gilfloproductions

Follow Gilde on Youtube: https://www.youtube.com/@gilfloproductions

  continue reading

89 episodes

Artwork
iconShare
 
Manage episode 356483252 series 2895849
Content provided by Anthony Clint Jr.. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Anthony Clint Jr. or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

On this episode we talk with Gilde Flores and dive into the following topics:

  • What are some of the things you've been working on?
  • How's your experience with scoring a picture and how does it differ from just composing cues for a TV show or creating music and then the music just getting synced?
  • Do you go produce the track and then bring it back in and place it in the scene? Or are you composing the tracks to picture in real time and then changing tempos?
  • What's better working with libraries or directly with music supervisors?
  • What gets you blacklisted?

Follow Clint on IG: https://www.instagram.com/clintmusic

Watch Clint on Youtube: https://www.youtube.com/aclintjr

Link To Resources: https://www.clintproductions.com/linkinbio

Social Media Growth for Producers: https://www.clintproductions.com/courses

Flodesk: https://www.clintproductions.com/flodesk

Follow Gilde on IG: https://www.instagram.com/gilfloproductions

Follow Gilde on Youtube: https://www.youtube.com/@gilfloproductions

  continue reading

89 episodes

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