In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Music Residuals & Mailbox Money (feat. Ross Golan)
Manage episode 199524100 series 1393453
Content provided by Music Made Me: the TuneCore Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Music Made Me: the TuneCore Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Erin Frankenheimer chats with Ross Golan, writer of hit songs "Dangerous Woman," "My House," "Same Old Love" and more, to discuss residual publishing royalties, or mailbox money. What does it look like to write a hit song that provides you a steady stream of income? How can hard work and good timing totally change your financial situation? What's the best time to send your pitch email to A&R reps? We answer all those questions and more on this week's Music Made Me. Distribute your music at TuneCore: http://bit.ly/2tg3fvh Listen to And the Writer Is... at https://apple.co/2zStr0O Follow TuneCore at http://bit.ly/2CZF43N
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53 episodes
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Manage episode 199524100 series 1393453
Content provided by Music Made Me: the TuneCore Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Music Made Me: the TuneCore Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Erin Frankenheimer chats with Ross Golan, writer of hit songs "Dangerous Woman," "My House," "Same Old Love" and more, to discuss residual publishing royalties, or mailbox money. What does it look like to write a hit song that provides you a steady stream of income? How can hard work and good timing totally change your financial situation? What's the best time to send your pitch email to A&R reps? We answer all those questions and more on this week's Music Made Me. Distribute your music at TuneCore: http://bit.ly/2tg3fvh Listen to And the Writer Is... at https://apple.co/2zStr0O Follow TuneCore at http://bit.ly/2CZF43N
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53 episodes
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Similar to Music Made Me: the TuneCore Podcast
In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
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Firebeatz presents Ignite Radio
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continue reading
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continue reading
Front left since 2001.
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