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Brass1 (10 mins, ~8 MB)
MP3•Episode home
Manage episode 205946986 series 2306231
Content provided by Clive Greated and Clive Greated (c.a.greated@ed.ac.uk). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clive Greated and Clive Greated (c.a.greated@ed.ac.uk) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The important acoustical characteristic common to members of the musical brass instrument family is not the material of construction, but the way in which the note is sounded by vibrating the lips against the rim of a mouthpiece. The lips act as a valve, open and closing periodically to modulate the flow of air into the instrument. The resulting pressure changes in the mouthpiece set up standing waves in the air column contained by the walls of the instrument. A small fraction of the sound energy stored in the standing waves is radiated at the bell of the instrument, and this is the sound heard by a listener. The frequency and pitch of the sound depend both on the resonant frequencies of the air column and on the natural resonant frequency of the lips, which can be controlled by the muscles of the player's mouth.
![Trombone](http://www2.ph.ed.ac.uk/~clive/MusicalAcoustics/2010/Trombone.JPG)
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11 episodes
MP3•Episode home
Manage episode 205946986 series 2306231
Content provided by Clive Greated and Clive Greated (c.a.greated@ed.ac.uk). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clive Greated and Clive Greated (c.a.greated@ed.ac.uk) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The important acoustical characteristic common to members of the musical brass instrument family is not the material of construction, but the way in which the note is sounded by vibrating the lips against the rim of a mouthpiece. The lips act as a valve, open and closing periodically to modulate the flow of air into the instrument. The resulting pressure changes in the mouthpiece set up standing waves in the air column contained by the walls of the instrument. A small fraction of the sound energy stored in the standing waves is radiated at the bell of the instrument, and this is the sound heard by a listener. The frequency and pitch of the sound depend both on the resonant frequencies of the air column and on the natural resonant frequency of the lips, which can be controlled by the muscles of the player's mouth.
![Trombone](http://www2.ph.ed.ac.uk/~clive/MusicalAcoustics/2010/Trombone.JPG)
…
continue reading
11 episodes
All episodes
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