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John Milton’s Comus - Interview with director Heather Davies

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Manage episode 318069914 series 2884152
Content provided by musiciansinordinary. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by musiciansinordinary or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Director Heather Davies discusses the special challenges of the masque form, Milton’s verse and the rehearsal process in the time of covid with John Edwards.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

Heather Davies was born in Winnipeg, Manitoba and grew up in Toronto, Ontario. She’s trained as a dancer, singer, actor and musician and has worked professionally since her teens. Heather moved to the UK to continue her actor training; she lived and worked in theatre there for 18 years. In 2001 she began focusing on directing full-time when she joined the Royal Shakespeare Company as a resident director, working there for nearly three years. She returned to Canada in 2007 to attend the MFA- Theatre program at York University, graduating in April 2009. From September 2009 to February 2011 she was the Artistic Associate at The Grand Theatre in London Ontario. She continues to enjoy directing, writing, teaching and adapting in the UK and across Canada.

In 2017 Heather became the first Artistic Director of The Ryga Festival, (inspired by renowned Canadian writer, George Ryga) in Summerland, BC and directing Colours in the Storm at the Grand Theatre in London, Ontario. In 2018, as well as returning to Summerland, Heather’s stage adaptation, Judith: memories of a Lady Pig Farmer, (based on the original novel, Judith, by Alberta writer Ardith Van Herk), will premiere at the Blyth Festival. Other projects in development include Silverfish (an original play about economic migration) and the stage adaptation of Night Desk, (novel by George Ryga).

  continue reading

64 episodes

Artwork
iconShare
 
Manage episode 318069914 series 2884152
Content provided by musiciansinordinary. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by musiciansinordinary or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Director Heather Davies discusses the special challenges of the masque form, Milton’s verse and the rehearsal process in the time of covid with John Edwards.

Visit https://musiciansinordinary.ca/episodes to click through the series and download mp3s to add to your music playlist.

Heather Davies was born in Winnipeg, Manitoba and grew up in Toronto, Ontario. She’s trained as a dancer, singer, actor and musician and has worked professionally since her teens. Heather moved to the UK to continue her actor training; she lived and worked in theatre there for 18 years. In 2001 she began focusing on directing full-time when she joined the Royal Shakespeare Company as a resident director, working there for nearly three years. She returned to Canada in 2007 to attend the MFA- Theatre program at York University, graduating in April 2009. From September 2009 to February 2011 she was the Artistic Associate at The Grand Theatre in London Ontario. She continues to enjoy directing, writing, teaching and adapting in the UK and across Canada.

In 2017 Heather became the first Artistic Director of The Ryga Festival, (inspired by renowned Canadian writer, George Ryga) in Summerland, BC and directing Colours in the Storm at the Grand Theatre in London, Ontario. In 2018, as well as returning to Summerland, Heather’s stage adaptation, Judith: memories of a Lady Pig Farmer, (based on the original novel, Judith, by Alberta writer Ardith Van Herk), will premiere at the Blyth Festival. Other projects in development include Silverfish (an original play about economic migration) and the stage adaptation of Night Desk, (novel by George Ryga).

  continue reading

64 episodes

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