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Andrew Wyeth: Rebel

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Replaced by: National Gallery of Art | Talks

When? This feed was archived on May 31, 2017 00:00 (7+ y ago). Last successful fetch was on May 30, 2017 20:55 (7+ y ago)

Why? HTTP Redirect status. The feed permanently redirected to another series.

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Manage episode 53327642 series 7864
Content provided by National Gallery of Art. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by National Gallery of Art or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Patricia Junker, Ann M. Barwick Curator of American Art, Seattle Art Museum. Andrew Wyeth was always far from the mainstream in American art, but not simply because he was a realist painter at a time that saw the dominance of abstract expressionism. Wyeth refused to take sides in the art world controversies of the late 20th century. He was never a defender of realism for its own sake, but believed that abstract art challenged realist painters to find their own means to shock viewers with an unconventional and new approach. Wyeth confounded critics time and again, and especially with his late series—the Helga pictures. In this lecture recorded on October 19, 2014, Patricia Junker suggests a context for Wyeth's subversive streak and a surprising affinity that Wyeth shares with 20th-century America's other great artistic outlier, Marcel Duchamp. This program coincides with the exhibition Andrew Wyeth: Looking Out, Looking In, organized by the National Gallery of Art and seen only in Washington from May 4 through November 30, 2014.
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668 episodes

Artwork
iconShare
 

Archived series ("HTTP Redirect" status)

Replaced by: National Gallery of Art | Talks

When? This feed was archived on May 31, 2017 00:00 (7+ y ago). Last successful fetch was on May 30, 2017 20:55 (7+ y ago)

Why? HTTP Redirect status. The feed permanently redirected to another series.

What now? If you were subscribed to this series when it was replaced, you will now be subscribed to the replacement series. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 53327642 series 7864
Content provided by National Gallery of Art. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by National Gallery of Art or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Patricia Junker, Ann M. Barwick Curator of American Art, Seattle Art Museum. Andrew Wyeth was always far from the mainstream in American art, but not simply because he was a realist painter at a time that saw the dominance of abstract expressionism. Wyeth refused to take sides in the art world controversies of the late 20th century. He was never a defender of realism for its own sake, but believed that abstract art challenged realist painters to find their own means to shock viewers with an unconventional and new approach. Wyeth confounded critics time and again, and especially with his late series—the Helga pictures. In this lecture recorded on October 19, 2014, Patricia Junker suggests a context for Wyeth's subversive streak and a surprising affinity that Wyeth shares with 20th-century America's other great artistic outlier, Marcel Duchamp. This program coincides with the exhibition Andrew Wyeth: Looking Out, Looking In, organized by the National Gallery of Art and seen only in Washington from May 4 through November 30, 2014.
  continue reading

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