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Acoustics in Historical Spaces

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Manage episode 380223937 series 3470881
Content provided by Ocker Hours. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ocker Hours or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Michael Holmes has been the artistic director of the Washington Cornett and Sackbutt Ensemble since 1998, recreating historical performances of music of the churches, chapels, and chambers of European courts of the Renaissance and early baroque era. He will discuss acoustical and architectural considerations of large spaces that were imagined by the composers who crafted their music with creative spatial effects and natural reverb in mind. We will examine how engineers can record these recreations in ways that bring out the intended effects of the period.
  continue reading

347 episodes

Artwork
iconShare
 
Manage episode 380223937 series 3470881
Content provided by Ocker Hours. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ocker Hours or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Michael Holmes has been the artistic director of the Washington Cornett and Sackbutt Ensemble since 1998, recreating historical performances of music of the churches, chapels, and chambers of European courts of the Renaissance and early baroque era. He will discuss acoustical and architectural considerations of large spaces that were imagined by the composers who crafted their music with creative spatial effects and natural reverb in mind. We will examine how engineers can record these recreations in ways that bring out the intended effects of the period.
  continue reading

347 episodes

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