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Hans Ulrich Obrist on art, curation and unfinished projects

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Manage episode 361690631 series 2444303
Content provided by Justyna Green. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Justyna Green or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Hans Ulrich Obrist is the director of Serpentine Gallery. In our conversation, we talk about the art of listening, learning from others, and how conversations and relationships are at the heart of Hans Ulrich’s work.

We learn about his upbringing and early days of night train travels across Europe from one artist’s studio to another, and Hans Ulrich’s first exhibition, which was staged in his kitchen.

We also dive into Hans Ulrich’s curatorial philosophy, working on projects which ask questions, invite audience participation, and are spread across time and locations.

We then discuss the importance of archives and organising information, as well as the importance of long-term projects in a world dominated by short-terminism.

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Sign up to the On Design podcast newsletter at ondesignpodcast.com/newsletter.

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Podcast music and production: James Greenfield

  continue reading

137 episodes

Artwork
iconShare
 
Manage episode 361690631 series 2444303
Content provided by Justyna Green. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Justyna Green or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Hans Ulrich Obrist is the director of Serpentine Gallery. In our conversation, we talk about the art of listening, learning from others, and how conversations and relationships are at the heart of Hans Ulrich’s work.

We learn about his upbringing and early days of night train travels across Europe from one artist’s studio to another, and Hans Ulrich’s first exhibition, which was staged in his kitchen.

We also dive into Hans Ulrich’s curatorial philosophy, working on projects which ask questions, invite audience participation, and are spread across time and locations.

We then discuss the importance of archives and organising information, as well as the importance of long-term projects in a world dominated by short-terminism.

--

Sign up to the On Design podcast newsletter at ondesignpodcast.com/newsletter.

--

Podcast music and production: James Greenfield

  continue reading

137 episodes

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