Billboard's Keith Caulfield (Managing Director, Charts and Data Operations) and Katie Atkinson (Executive Digital Director, West Coast) offer weekly Billboard chart breakdowns, discuss the hottest music news and cover the year’s biggest musical events. Casual pop fans, chart junkies and everyone in between are invited to this weekly half-hour discussion.
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Revisiting Chappell Roan's The Rise and Fall of a Midwest Princess (with Olivia Horn) (Patreon Preview)
Manage episode 430109639 series 2891533
Content provided by DJ Louie XIV. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by DJ Louie XIV or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In a preview of this week's Pop Pantheon: All Access episode, Olivia Horn reviewed Chappell Roan's debut album, The Rise and Fall of a Midwest Princess, in Pitchfork when it dropped last September. Back then, she was a fringy pop upstart with some nice critical notices and a small cult audience. Now, she's one of the biggest new pop superstars of the year in the midst of a zeitgeisty swirl the likes of which we haven't seen for a new pop girlie in years. So how does the actual music hold up? Olivia joins DJ Louie to dig into the record as well as why Chappell's become 2024's "femininomenon".
To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app.
210 episodes
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Manage episode 430109639 series 2891533
Content provided by DJ Louie XIV. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by DJ Louie XIV or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In a preview of this week's Pop Pantheon: All Access episode, Olivia Horn reviewed Chappell Roan's debut album, The Rise and Fall of a Midwest Princess, in Pitchfork when it dropped last September. Back then, she was a fringy pop upstart with some nice critical notices and a small cult audience. Now, she's one of the biggest new pop superstars of the year in the midst of a zeitgeisty swirl the likes of which we haven't seen for a new pop girlie in years. So how does the actual music hold up? Olivia joins DJ Louie to dig into the record as well as why Chappell's become 2024's "femininomenon".
To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app.
210 episodes
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Similar to Pop Pantheon
Billboard's Keith Caulfield (Managing Director, Charts and Data Operations) and Katie Atkinson (Executive Digital Director, West Coast) offer weekly Billboard chart breakdowns, discuss the hottest music news and cover the year’s biggest musical events. Casual pop fans, chart junkies and everyone in between are invited to this weekly half-hour discussion.
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continue reading
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…
continue reading
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…
continue reading
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
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continue reading
Front left since 2001.
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continue reading
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