In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 47- BLADE RUNNER (1982)
Manage episode 210572056 series 2362287
Content provided by Cinema Shock. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cinema Shock or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
With the impending release of the its much anticipated sequel BLADE RUNNER 2049, it seemed like the perfect time to discuss Ridley Scott's difficult but hugely influential original film BLADE RUNNER.
SYNOPSIS: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
Note: If you're watching along, we're specifically discussing The Final Cut in this episode.
Does BLADE RUNNER deserve to go into the Psychotronic Hall of Fame?
Theme song: “Foreign Body” by the Slasher Film Festival Strategy from their album PSYCHIC SHIELD. More info: slasherfilmfestivalstrategy.bandcamp.com
Follow the show: Twitter // Facebook // Instagram // Tumblr
Follow Justin: Twitter // Instagram // Letterboxd
Follow Gary: Twitter // Instagram // Letterboxd
Subscribe, rate and review on iTunes.221 episodes
Share
Manage episode 210572056 series 2362287
Content provided by Cinema Shock. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cinema Shock or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
With the impending release of the its much anticipated sequel BLADE RUNNER 2049, it seemed like the perfect time to discuss Ridley Scott's difficult but hugely influential original film BLADE RUNNER.
SYNOPSIS: In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
Note: If you're watching along, we're specifically discussing The Final Cut in this episode.
Does BLADE RUNNER deserve to go into the Psychotronic Hall of Fame?
Theme song: “Foreign Body” by the Slasher Film Festival Strategy from their album PSYCHIC SHIELD. More info: slasherfilmfestivalstrategy.bandcamp.com
Follow the show: Twitter // Facebook // Instagram // Tumblr
Follow Justin: Twitter // Instagram // Letterboxd
Follow Gary: Twitter // Instagram // Letterboxd
Subscribe, rate and review on iTunes.221 episodes
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Similar to Cinema Shock
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
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Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
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Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
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Determining if all these so called classic films are indeed just that.
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…
continue reading
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…
continue reading
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