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Episode 14B: Louisa (1950)
Archived series ("Inactive feed" status)
When? This feed was archived on August 01, 2020 21:07 (). Last successful fetch was on December 18, 2019 14:53 ()
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 225944881 series 2327165
The Gipper’s slow segue out of the Warner fold began with this tone-setting suburban sitcom for Universal-International. Part of his new sometime-studio’s “Big Push” at the dawn of the television decade, Louisa shows how easily Reagan might have stepped into a Father Knows Best/My Three Sons-style second career. If only he had done so, American (and Canadian) marginal tax rates might still be at 70%.
As usual (and as per Gareth’s thesis), Reagan mainly holds down the stage for the benefit of his co-stars, occupying a crucially colorless space between the coming and the going generations. The latter group includes Spring Byington (in the title role), Edmund Gwenn and Charles Coburn - reworking their love-triangle dynamics from the immortal Devil and Miss Jones. At the other end of the scale, we find debuting Piper Laurie, tragic Scotty Beckett, and little Jimmy Hunt with his big radio.
The film runs a brilliant reverse-play on the viewer, feinting toward some kind of a send-up of senior citizen sexuality and then delivering those second-chance-at-life intensities surprisingly straight. It all starts on a sidewalk outside Gwenn’s gourmet grocery shop, with a conversation about the loneliness of twilight. Along the way, we get some pretty decent dissection of masculinity at every age and stage of that particular disease (speaking of which – get ready for some rough revelations about Dutch's post-divorce relapse into “Leading Lady-itis”).
Novel suggestion:
Peter Delacorte's Time on My Hands
Follow us at:
Follow Romy on Twitter at @rahrahtempleton
Follow Gareth on Twitter at @helenreddymades
Follow David on Twitter at @milescoverdale
32 episodes
Episode 14B: Louisa (1950)
Red Time For Bonzo: A Marxist-Reaganist Film Podcast (Ronald Reagan Filmography)
Archived series ("Inactive feed" status)
When? This feed was archived on August 01, 2020 21:07 (). Last successful fetch was on December 18, 2019 14:53 ()
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 225944881 series 2327165
The Gipper’s slow segue out of the Warner fold began with this tone-setting suburban sitcom for Universal-International. Part of his new sometime-studio’s “Big Push” at the dawn of the television decade, Louisa shows how easily Reagan might have stepped into a Father Knows Best/My Three Sons-style second career. If only he had done so, American (and Canadian) marginal tax rates might still be at 70%.
As usual (and as per Gareth’s thesis), Reagan mainly holds down the stage for the benefit of his co-stars, occupying a crucially colorless space between the coming and the going generations. The latter group includes Spring Byington (in the title role), Edmund Gwenn and Charles Coburn - reworking their love-triangle dynamics from the immortal Devil and Miss Jones. At the other end of the scale, we find debuting Piper Laurie, tragic Scotty Beckett, and little Jimmy Hunt with his big radio.
The film runs a brilliant reverse-play on the viewer, feinting toward some kind of a send-up of senior citizen sexuality and then delivering those second-chance-at-life intensities surprisingly straight. It all starts on a sidewalk outside Gwenn’s gourmet grocery shop, with a conversation about the loneliness of twilight. Along the way, we get some pretty decent dissection of masculinity at every age and stage of that particular disease (speaking of which – get ready for some rough revelations about Dutch's post-divorce relapse into “Leading Lady-itis”).
Novel suggestion:
Peter Delacorte's Time on My Hands
Follow us at:
Follow Romy on Twitter at @rahrahtempleton
Follow Gareth on Twitter at @helenreddymades
Follow David on Twitter at @milescoverdale
32 episodes
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