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RM24014 - Studying with Rembrandt

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Manage episode 430518293 series 3552285
Content provided by Bob Wessels. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bob Wessels or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Send us a Text Message.

Welcome, or welcome back again.
Today it is literally about Rembrandt's money.
Rembrandt had three main sources of income: commissions for paintings,
selling etches and receiving fees from teaching pupils.
We are most familiar with his paintings and etches, commissioned by patrons
or produced for the commercial market, or just simply for private use. Much
less is known about Rembrandt’s pupils and how he taught them.
In this episode of the podcast ‘Rembrandts Money’ (available via
www.rembrandtsmoney.com and other standard podcast channels),
I will try to shed some more light on his activities as a master for his pupils.
How many pupils did he have and at what period in his working life? What did
he teach them? Did they remain true to Rembrandt’s artistic style?
Welcome, to the master’s contact and guidance of his pupils
1. Idea, research, author, and narration: Bob Wessels: linkedin.com/in/bobwessels
2. Artwork, editing, production: Jan Wind: linkedin.com/in/janwind-videomaker
3. Artwork based on the bookcover of ‘Rembrandt’s money’ designed by Teun Okkerse: linkedin.com/in/theun-okkerse-516130b
4. Copyright accountability:
Music: Royal Philharmonic Orchestra (orchestra) - Thomas Beecham (conductor) The Salomon Symphonies (Volume One) — Capitol Records, 1958. GCR 7127. Copyright Public Domain - Source: Internet Archive - Public Domain
Artwork for this episode:
Public Domain Wiki Commons.
1. Welcome: https://www.rembrandtsmoney.com
1. Blog: https://www.rembrandtsmoney.com/blog/
2. Website: https://www.rembrandtsmoney.com
3. Sources: https://www.rembrandtsmoney.com/sources/
4. Instagram: https://www.instagram.com/rembrandtsmoney/
For a few years I did extensive research, leading to my book of Rembrandt’s Money. The legal and financial life of an artist-entrepreneur in 17th century Holland. The first edition of the book Rembrandt’s Money, published in autumn 2021. It is nearly sold out. See https://webshop.rembrandthuis.nl/nl/rembrandts-money.htmlOr: https://shop.wolterskluwer.nl/Rembrandt-s-Money-sNPREMBMON/?gad_source=1&gclid=CjwKCAiAu9yqBhBmEiwAHTx5p09qw-mnSxvfLuexD9n-MFLvE_EABhlDHGVEMVes2b2ygNNeyMim-BoCqbgQAvD_BwE

  continue reading

14 episodes

Artwork
iconShare
 
Manage episode 430518293 series 3552285
Content provided by Bob Wessels. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bob Wessels or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Send us a Text Message.

Welcome, or welcome back again.
Today it is literally about Rembrandt's money.
Rembrandt had three main sources of income: commissions for paintings,
selling etches and receiving fees from teaching pupils.
We are most familiar with his paintings and etches, commissioned by patrons
or produced for the commercial market, or just simply for private use. Much
less is known about Rembrandt’s pupils and how he taught them.
In this episode of the podcast ‘Rembrandts Money’ (available via
www.rembrandtsmoney.com and other standard podcast channels),
I will try to shed some more light on his activities as a master for his pupils.
How many pupils did he have and at what period in his working life? What did
he teach them? Did they remain true to Rembrandt’s artistic style?
Welcome, to the master’s contact and guidance of his pupils
1. Idea, research, author, and narration: Bob Wessels: linkedin.com/in/bobwessels
2. Artwork, editing, production: Jan Wind: linkedin.com/in/janwind-videomaker
3. Artwork based on the bookcover of ‘Rembrandt’s money’ designed by Teun Okkerse: linkedin.com/in/theun-okkerse-516130b
4. Copyright accountability:
Music: Royal Philharmonic Orchestra (orchestra) - Thomas Beecham (conductor) The Salomon Symphonies (Volume One) — Capitol Records, 1958. GCR 7127. Copyright Public Domain - Source: Internet Archive - Public Domain
Artwork for this episode:
Public Domain Wiki Commons.
1. Welcome: https://www.rembrandtsmoney.com
1. Blog: https://www.rembrandtsmoney.com/blog/
2. Website: https://www.rembrandtsmoney.com
3. Sources: https://www.rembrandtsmoney.com/sources/
4. Instagram: https://www.instagram.com/rembrandtsmoney/
For a few years I did extensive research, leading to my book of Rembrandt’s Money. The legal and financial life of an artist-entrepreneur in 17th century Holland. The first edition of the book Rembrandt’s Money, published in autumn 2021. It is nearly sold out. See https://webshop.rembrandthuis.nl/nl/rembrandts-money.htmlOr: https://shop.wolterskluwer.nl/Rembrandt-s-Money-sNPREMBMON/?gad_source=1&gclid=CjwKCAiAu9yqBhBmEiwAHTx5p09qw-mnSxvfLuexD9n-MFLvE_EABhlDHGVEMVes2b2ygNNeyMim-BoCqbgQAvD_BwE

  continue reading

14 episodes

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