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157. The Spiders From Mars – Jason Heller (Hugo Award-winning writer)

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Content provided by Big Think / Panoply. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Big Think / Panoply or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The other day I was at a kid’s birthday party and a fellow dad was joking that “When we were kids, it was all ‘bang-bang-bang!’ and now it’s all ‘pew-pew-pew!’”He was talking about video games and lasers as opposed to, I’m guessing, cowboys? Actually, as I remember childhood, it was all “wowm…wowm!” The sound of lightsabers. I was 5 years old when Star Wars: A New Hope came out, and like everyone who grew up back then, I had sci-fi seeping into my very pores. Alien civilizations. Cyborg killers. The dark, unfeeling menace of advanced technology…

Because there can never be too many Jasons, my guest today is the Hugo-award winning writer Jason Heller. He’s here to tell the eerie and fascinating tale of how sci-fi seeped into the pores of popular music in the 1970s, and how, along with psychedelic drugs and electronic instruments, it produced and was transformed by David Bowie and others into something rich and strange. Something that changed the face of music and pop culture forever. His new book is Strange Stars: David Bowie, Pop Music, and the Decade Sci Fi Exploded.

Surprise conversation-starter clips in this episode:

Reza Aslan on how religious believers describe god

Dambisa Moyo on 3 ways to make American politicians better

Learn more about your ad choices. Visit podcastchoices.com/adchoices

  continue reading

237 episodes

Artwork
iconShare
 
Manage episode 213245073 series 2301134
Content provided by Big Think / Panoply. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Big Think / Panoply or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The other day I was at a kid’s birthday party and a fellow dad was joking that “When we were kids, it was all ‘bang-bang-bang!’ and now it’s all ‘pew-pew-pew!’”He was talking about video games and lasers as opposed to, I’m guessing, cowboys? Actually, as I remember childhood, it was all “wowm…wowm!” The sound of lightsabers. I was 5 years old when Star Wars: A New Hope came out, and like everyone who grew up back then, I had sci-fi seeping into my very pores. Alien civilizations. Cyborg killers. The dark, unfeeling menace of advanced technology…

Because there can never be too many Jasons, my guest today is the Hugo-award winning writer Jason Heller. He’s here to tell the eerie and fascinating tale of how sci-fi seeped into the pores of popular music in the 1970s, and how, along with psychedelic drugs and electronic instruments, it produced and was transformed by David Bowie and others into something rich and strange. Something that changed the face of music and pop culture forever. His new book is Strange Stars: David Bowie, Pop Music, and the Decade Sci Fi Exploded.

Surprise conversation-starter clips in this episode:

Reza Aslan on how religious believers describe god

Dambisa Moyo on 3 ways to make American politicians better

Learn more about your ad choices. Visit podcastchoices.com/adchoices

  continue reading

237 episodes

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