Artwork

Content provided by The Collection Podcast and University of Edinburgh Centre for Research Collections. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Collection Podcast and University of Edinburgh Centre for Research Collections or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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5 - Attribution

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Manage episode 309361984 series 3031820
Content provided by The Collection Podcast and University of Edinburgh Centre for Research Collections. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Collection Podcast and University of Edinburgh Centre for Research Collections or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
What happens when artwork is called ‘fake’? Last week, we discussed items that are fakes and forgeries, made with the intent of passing, but the term ‘fake’ is problematic when it comes to art. More often than not, it’s a question of attribution. We will be looking at several items from the University’s Torrie Collection: the Giambolognia Anatomical Figure of a Horse, Jan Lieven’s A Wooded Walk, and Hercules Seghers’s Landscape. We will also discuss the importance of a name, a signature, and how we discern the true value of an artwork.
  continue reading

5 episodes

Artwork
iconShare
 
Manage episode 309361984 series 3031820
Content provided by The Collection Podcast and University of Edinburgh Centre for Research Collections. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Collection Podcast and University of Edinburgh Centre for Research Collections or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
What happens when artwork is called ‘fake’? Last week, we discussed items that are fakes and forgeries, made with the intent of passing, but the term ‘fake’ is problematic when it comes to art. More often than not, it’s a question of attribution. We will be looking at several items from the University’s Torrie Collection: the Giambolognia Anatomical Figure of a Horse, Jan Lieven’s A Wooded Walk, and Hercules Seghers’s Landscape. We will also discuss the importance of a name, a signature, and how we discern the true value of an artwork.
  continue reading

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