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Marcus Paus on the Challenges as a Romantic Composer in a Field of Dogmatic Modernists

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Manage episode 355037675 series 3446707
Content provided by Cave of Apelles and Jan-Ove Tuv. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cave of Apelles and Jan-Ove Tuv or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"I have had mentors as well as tormentors," says Marcus Paus, the Norwegian composer, whose admiration for the craft of classical music has led to his work being frequently attacked by dogmatic modernists — among them a self-appointed nemesis, known as "the teacher who was not to be."Paus' response is to declare that he is not an ideological composer, but simply a musician who recognizes the necessity of seeing the past as a self-evident source of knowledge.In his conversation with Jan-Ove Tuv, he also talks about his education in Oslo with Trygve Madsen and in New York with Richard Danielpour, his work with film music and highlights from his own works, such as "Love's Last Rites" from his album "Odes & Elegies".Can you learn something across disciplines? By the end of their conversation, Tuv and Paus also discuss the value of Paus' friendship with painters and poets such as Christopher Rådlund and Håkan Sandell.The Centerpiece for this conversation is "Stetind" by Christopher RådlundThe episode was produced by Bork S. Nerdrum, assisted by Andrew Aviste and Seth Fite. 🎵Listen to exclusive episodes

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53 episodes

Artwork
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Manage episode 355037675 series 3446707
Content provided by Cave of Apelles and Jan-Ove Tuv. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cave of Apelles and Jan-Ove Tuv or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"I have had mentors as well as tormentors," says Marcus Paus, the Norwegian composer, whose admiration for the craft of classical music has led to his work being frequently attacked by dogmatic modernists — among them a self-appointed nemesis, known as "the teacher who was not to be."Paus' response is to declare that he is not an ideological composer, but simply a musician who recognizes the necessity of seeing the past as a self-evident source of knowledge.In his conversation with Jan-Ove Tuv, he also talks about his education in Oslo with Trygve Madsen and in New York with Richard Danielpour, his work with film music and highlights from his own works, such as "Love's Last Rites" from his album "Odes & Elegies".Can you learn something across disciplines? By the end of their conversation, Tuv and Paus also discuss the value of Paus' friendship with painters and poets such as Christopher Rådlund and Håkan Sandell.The Centerpiece for this conversation is "Stetind" by Christopher RådlundThe episode was produced by Bork S. Nerdrum, assisted by Andrew Aviste and Seth Fite. 🎵Listen to exclusive episodes

Hosted on Acast. See acast.com/privacy for more information.

  continue reading

53 episodes

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