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Kirtan at Tompkins Square Park | HG Vaiśeṣika Dāsa | 7 Jun 2024

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Then he began the mantra – Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare / Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. They responded, too low and muddled at first, but he returned it to them again, singing it right and triumphant. Again they responded, gaining heart, ringing karatālas and clapping hands – one … two … three, one … two … three. Again he sang it alone, and they stayed, hanging closely on each word, clapping, beating cymbals, and watching him looking back at them from his inner concentration – his old-age wisdom, his bhakti – and out of love for Swamiji, they broke loose from their surroundings and joined him as a chanting congregation. Swamiji played his small drum, holding its strap in his left hand, bracing the drum against his body, and with his right hand playing intricate mṛdaṅga rhythms. Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare / Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. He was going strong after half an hour, repeating the mantra, carrying them with him as interested onlookers gathered in greater numbers. A few hippies sat down on the edge of the rug, copying the cross-legged sitting posture, listening, clapping, trying the chanting, and the small inner circle of Prabhupāda and his followers grew, as gradually more people joined. (Excerpt from Srila Prabhupada's bioography about Kirtan at Tompkins Square Park) Śrīla Prabhupāda-līlāmṛta ,Volume One, Chapter 20 : Stay High Forever https://vedabase.io/en/library/spl/1/20/ https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For more videos please visit www.fanthespark.com
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1936 episodes

Artwork
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Manage episode 438439160 series 1194532
Content provided by Fan The Spark and Vaisesika Dasa. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Fan The Spark and Vaisesika Dasa or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Then he began the mantra – Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare / Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. They responded, too low and muddled at first, but he returned it to them again, singing it right and triumphant. Again they responded, gaining heart, ringing karatālas and clapping hands – one … two … three, one … two … three. Again he sang it alone, and they stayed, hanging closely on each word, clapping, beating cymbals, and watching him looking back at them from his inner concentration – his old-age wisdom, his bhakti – and out of love for Swamiji, they broke loose from their surroundings and joined him as a chanting congregation. Swamiji played his small drum, holding its strap in his left hand, bracing the drum against his body, and with his right hand playing intricate mṛdaṅga rhythms. Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare / Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. He was going strong after half an hour, repeating the mantra, carrying them with him as interested onlookers gathered in greater numbers. A few hippies sat down on the edge of the rug, copying the cross-legged sitting posture, listening, clapping, trying the chanting, and the small inner circle of Prabhupāda and his followers grew, as gradually more people joined. (Excerpt from Srila Prabhupada's bioography about Kirtan at Tompkins Square Park) Śrīla Prabhupāda-līlāmṛta ,Volume One, Chapter 20 : Stay High Forever https://vedabase.io/en/library/spl/1/20/ https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For more videos please visit www.fanthespark.com
  continue reading

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