Artwork

Content provided by Jonny Armandary. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jonny Armandary or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

05 Chris Presswell: A Director's Advice on Composer Collaboration

41:52
 
Share
 

Manage episode 227425087 series 2484783
Content provided by Jonny Armandary. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jonny Armandary or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week Chris Presswell, film writer/director, shares his views on the relationship between director and composer.

https://soundtrack.academy/ChrisPresswell

Despite being musical, Christopher ISN’T a music composer or producer, he’s a film writer and director. That’s what makes this week’s episode so exciting: we’re going to hear first hand how a director collaborates with a composer, and gives advice on what a composer will need to know to work as part of the post-production team.

Chris and I have worked together on quite a few projects over the years, and I thought it would be great to get a director’s perspective on the use of music in film, and also to find out about what a director is actually going through while the composer is coming up with a score.

Chris is a highly eclectic director, having created music videos (including an innovative 360 virtual reality one), trailers and ad spots with the likes of Warwick Davis and Elizabeth Olson, and short and feature length films. His work has been screened and won awards internationally, with red carpet premieres in both London and LA.

Chris' company (Workbus): https://www.workbus.co.uk/

Chris' website: https://www.chrispresswell.co.uk/

  continue reading

44 episodes

Artwork
iconShare
 
Manage episode 227425087 series 2484783
Content provided by Jonny Armandary. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jonny Armandary or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week Chris Presswell, film writer/director, shares his views on the relationship between director and composer.

https://soundtrack.academy/ChrisPresswell

Despite being musical, Christopher ISN’T a music composer or producer, he’s a film writer and director. That’s what makes this week’s episode so exciting: we’re going to hear first hand how a director collaborates with a composer, and gives advice on what a composer will need to know to work as part of the post-production team.

Chris and I have worked together on quite a few projects over the years, and I thought it would be great to get a director’s perspective on the use of music in film, and also to find out about what a director is actually going through while the composer is coming up with a score.

Chris is a highly eclectic director, having created music videos (including an innovative 360 virtual reality one), trailers and ad spots with the likes of Warwick Davis and Elizabeth Olson, and short and feature length films. His work has been screened and won awards internationally, with red carpet premieres in both London and LA.

Chris' company (Workbus): https://www.workbus.co.uk/

Chris' website: https://www.chrispresswell.co.uk/

  continue reading

44 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide