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Program Notes: Dvorak’s New World Symphony

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Manage episode 410931406 series 3428443
Content provided by The Florida Orchestra. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Florida Orchestra or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Antonin Dvorak’s Ninth Symphony is as big a deal today as it was in 1893, when it premiered with huge fanfare at Carnegie Hall in New York. The Ninth was special. Major composer. Written in America. Inspired by African-American spirituals. No wonder it prompted one of the most elaborate music reviews in the history of newspapers, a 3,000-word essay. In Mozart’s Sinfonia Concertante for violin and viola, the sublime middle movement is dipped in grief, but all sadness vanishes in the presto finale. The concert begins with Berlioz’s Roman Carnival Overture – full-throttled music, virtuosic and splashy – from a colorful composer who would make a delightful dinner party guest.
These program notes include music excerpts.
Masterworks 10 of the 23/24 Season
Performances April 12-14, 2024

  continue reading

32 episodes

Artwork
iconShare
 
Manage episode 410931406 series 3428443
Content provided by The Florida Orchestra. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Florida Orchestra or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Antonin Dvorak’s Ninth Symphony is as big a deal today as it was in 1893, when it premiered with huge fanfare at Carnegie Hall in New York. The Ninth was special. Major composer. Written in America. Inspired by African-American spirituals. No wonder it prompted one of the most elaborate music reviews in the history of newspapers, a 3,000-word essay. In Mozart’s Sinfonia Concertante for violin and viola, the sublime middle movement is dipped in grief, but all sadness vanishes in the presto finale. The concert begins with Berlioz’s Roman Carnival Overture – full-throttled music, virtuosic and splashy – from a colorful composer who would make a delightful dinner party guest.
These program notes include music excerpts.
Masterworks 10 of the 23/24 Season
Performances April 12-14, 2024

  continue reading

32 episodes

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