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Program Notes: Elgar’s Enigma Variations

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Manage episode 418626291 series 3428443
Content provided by The Florida Orchestra. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Florida Orchestra or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The power of friendship. Edward Elgar’s most popular work, Enigma Variations, was dedicated to 14 friends portrayed in the pieces – from his wife to an Oxford professor, a bulldog and even Elgar himself. Like the Elgar, each section of Ravel’s Le Tombeau de Couperin (The Grave of Couperin) is dedicated to someone the composer knew, but this time they are friends who died on the battlefield. The music is far from gloomy. The composer once said, “the dead are sad enough, in their eternal silence.’’ In Brahms Double Concerto, the violin and cello are partners in a conversation with the orchestra, ending with a spirited rondo that harkens back to the composer’s own Hungarian Dances.
These program notes include music excerpts.
Masterworks 12 of the 23/24 Season
Performances May 17-19, 2024

  continue reading

32 episodes

Artwork
iconShare
 
Manage episode 418626291 series 3428443
Content provided by The Florida Orchestra. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Florida Orchestra or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The power of friendship. Edward Elgar’s most popular work, Enigma Variations, was dedicated to 14 friends portrayed in the pieces – from his wife to an Oxford professor, a bulldog and even Elgar himself. Like the Elgar, each section of Ravel’s Le Tombeau de Couperin (The Grave of Couperin) is dedicated to someone the composer knew, but this time they are friends who died on the battlefield. The music is far from gloomy. The composer once said, “the dead are sad enough, in their eternal silence.’’ In Brahms Double Concerto, the violin and cello are partners in a conversation with the orchestra, ending with a spirited rondo that harkens back to the composer’s own Hungarian Dances.
These program notes include music excerpts.
Masterworks 12 of the 23/24 Season
Performances May 17-19, 2024

  continue reading

32 episodes

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