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M.J.

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Manage episode 228753189 series 1785512
Content provided by Still Processing and The New York Times. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Still Processing and The New York Times or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

HBO’s “Leaving Neverland” — a two-part documentary that focuses on the stories of two men, James Safechuck and Wade Robson, who allege that Michael Jackson sexually abused them as children — prompts us to wrestle with our love for and discomfort with the pop star. We examine how Jackson seemed to have been culturally exonerated, and we ask what to do with a man whose artistic reach is so profound that “canceling” him — an imperfect way of dealing with problematic artists to begin with — might not even be possible.

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154 episodes

Artwork

M.J.

Still Processing

2,372 subscribers

published

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Manage episode 228753189 series 1785512
Content provided by Still Processing and The New York Times. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Still Processing and The New York Times or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

HBO’s “Leaving Neverland” — a two-part documentary that focuses on the stories of two men, James Safechuck and Wade Robson, who allege that Michael Jackson sexually abused them as children — prompts us to wrestle with our love for and discomfort with the pop star. We examine how Jackson seemed to have been culturally exonerated, and we ask what to do with a man whose artistic reach is so profound that “canceling” him — an imperfect way of dealing with problematic artists to begin with — might not even be possible.

Discussed this week:

  continue reading

154 episodes

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