Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Caution: Contents may be historical, but they're still hot! We're serving the classics!
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Shorts: Mark Mothersbaugh on The Life Aquatic and Apotropaic Beatnik Graffiti
Manage episode 395858922 series 2778995
Content provided by Danielle "Danz" Johnson and Synth History. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Danielle "Danz" Johnson and Synth History or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Legendary musician, composer, visual artist and co-founder of DEVO, Mark Mothersbaugh, talks to Danz about scoring Wes Anderson’s 2004 film, The Life Aquatic with Steve Zissou, and about his new book, Apotropaic Beatnik Graffiti. This is the extended version of a conversation originally presented at one of the Synth History ‘Iconic Scores’ screening series nights at the Vidiots Theater in Los Angeles, CA.
4 episodes
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Manage episode 395858922 series 2778995
Content provided by Danielle "Danz" Johnson and Synth History. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Danielle "Danz" Johnson and Synth History or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Legendary musician, composer, visual artist and co-founder of DEVO, Mark Mothersbaugh, talks to Danz about scoring Wes Anderson’s 2004 film, The Life Aquatic with Steve Zissou, and about his new book, Apotropaic Beatnik Graffiti. This is the extended version of a conversation originally presented at one of the Synth History ‘Iconic Scores’ screening series nights at the Vidiots Theater in Los Angeles, CA.
4 episodes
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Similar to Synth History
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
Caution: Contents may be historical, but they're still hot! We're serving the classics!
…
continue reading
Your favourite rock & metal podcast bringing you all the latest news, opinions, honest reviews and laughs every Friday. 100% passion, 100% honesty, 100% of the time. Join us. @notmetalpod on Twitter & Instagram. Come join the discussion with a likeminded community of music fans on the That's Not Metal Facebook Focus Group www.facebook.com/groups/TNMFocus/.
…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
The weekly RA Exchange is a series of conversations with artists, labels and promoters shaping the electronic music landscape.
…
continue reading
New and classic music from artists around the world. Indie artists in the Folk, Singer/Songwriter, Americana, Bluegrass and anything else that pleases my ear and hopefully yours.
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continue reading
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