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TN:111 Totally Enormous Extinct Dinosaurs

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Manage episode 398859406 series 1463307
Content provided by In The Woods. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by In The Woods or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, John catches up with Orlando Higginbottom, better known as Totally Enormous Extinct Dinosaurs or T.E.E.D, to talk about how he wrote, recorded and produced the album ‘When The Lights Go’.

Digging into the record almost 10 years in the making, Orlando talks us through his process of sorting through the piles of musical material he has created over the last decade, and how he developed each idea into a cohesive album.

As well as sharing production tips on vocal layering and utilising field recordings (notably coyote barks), Orlando reflects on his musical upbringing, discussing how the somewhat unattainable standards in classical music have impacted his work as an electronic producer.

Listen to find out why you should commit sounds when they are 75% right, how lyrics can be such a different commitment to a song, and why Orlando tried to create a U2 album without ever hearing U2.

Tracks discussed: Crosswalk, The Sleeper, Thugs

LINKS TO EVERYTHING TAPE NOTES

linktr.ee/tapenotes

Listen to ‘When The Lights Go’ here.

  • Nice Age Music

Intro Music - Sunshine Buddy, Laurel Collective

GEAR MENTIONS

Soundtoys Microshift

TAL-U-NO-LX Synth

Arturia Farfisa Plugin

ToneBoosters Reelbus

XFER OTT (Free)

Celemony Melodyne

Korg Minilogue

Korg PolySix Plugin

Boss Delay Pedal

Shure SM7B

Warm Audio Microphones

Sequential OB-6

Sequential Prophet 8

Yamaha CP-80

Fairlight CMI

Buchla Synth

Fender Rhodes

Spitfire Audio Labs Strings

OUR GEAR

https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)

Donate

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on:

Instagram: @tapenotes

Twitter: @tapenotes

Facebook: @tapenotespodcast

YouTube: Tape Notes Podcast

Discord: Tape Notes

Patreon: Tape Notes Patreon

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!

Visit our website to join our mailing list: www.tapenotes.co.uk

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)

Donate

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Herbie Elton-Rowley - Videographer

Guy Nicholls - Production Assistant

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

151 episodes

Artwork

TN:111 Totally Enormous Extinct Dinosaurs

Tape Notes

119 subscribers

published

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Manage episode 398859406 series 1463307
Content provided by In The Woods. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by In The Woods or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, John catches up with Orlando Higginbottom, better known as Totally Enormous Extinct Dinosaurs or T.E.E.D, to talk about how he wrote, recorded and produced the album ‘When The Lights Go’.

Digging into the record almost 10 years in the making, Orlando talks us through his process of sorting through the piles of musical material he has created over the last decade, and how he developed each idea into a cohesive album.

As well as sharing production tips on vocal layering and utilising field recordings (notably coyote barks), Orlando reflects on his musical upbringing, discussing how the somewhat unattainable standards in classical music have impacted his work as an electronic producer.

Listen to find out why you should commit sounds when they are 75% right, how lyrics can be such a different commitment to a song, and why Orlando tried to create a U2 album without ever hearing U2.

Tracks discussed: Crosswalk, The Sleeper, Thugs

LINKS TO EVERYTHING TAPE NOTES

linktr.ee/tapenotes

Listen to ‘When The Lights Go’ here.

  • Nice Age Music

Intro Music - Sunshine Buddy, Laurel Collective

GEAR MENTIONS

Soundtoys Microshift

TAL-U-NO-LX Synth

Arturia Farfisa Plugin

ToneBoosters Reelbus

XFER OTT (Free)

Celemony Melodyne

Korg Minilogue

Korg PolySix Plugin

Boss Delay Pedal

Shure SM7B

Warm Audio Microphones

Sequential OB-6

Sequential Prophet 8

Yamaha CP-80

Fairlight CMI

Buchla Synth

Fender Rhodes

Spitfire Audio Labs Strings

OUR GEAR

https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)

Donate

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on:

Instagram: @tapenotes

Twitter: @tapenotes

Facebook: @tapenotespodcast

YouTube: Tape Notes Podcast

Discord: Tape Notes

Patreon: Tape Notes Patreon

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!

Visit our website to join our mailing list: www.tapenotes.co.uk

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)

Donate

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Herbie Elton-Rowley - Videographer

Guy Nicholls - Production Assistant

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

151 episodes

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