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USITT22 Series with YDMT Winner Maggie Nelson
MP3•Episode home
Manage episode 331909963 series 2886619
Content provided by USITT. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by USITT or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This podcast was recorded on the show floor of USITT22 at Studio USITT in partnership with AKG by Harman.
On this week’s episode, we sat down with 2022 YDMT winner of the Richard Hay Undergraduate Scene Design Award, Maggie Nelson.
Maggie has been scenic designing professionally for three years, and scenic painting for six. Her most recent work has been at Hope Summer Repertory Theatre’s 2021 outdoor season as Scenic Designer for A Year with Frog and Toad and The Importance of Being Earnest, Assistant to Remote Scenic Designers for The Mountaintop and Children of a Lesser God, and Scenic Paint Charge for all of the above. She is currently in her fourth year at The Conservatory of Theatre Arts at Webster University, pursuing a BFA in scenic design with a second emphasis in Scenic Art. She likes spaghetti and nature.
TECHnically Speaking is a public service of USITT, which seeks to have a broad conversation on topics of interest to its members, but it is neither a legal interpretation nor a statement of Institute policy. The views expressed on this podcast by guests are their own and their appearance herein does not imply an endorsement of them or of any entity they may represent. Reference to any specific product or idea does not constitute an endorsement or recommendation. Views, opinions, recommendations or use cases expressed on this podcast do not necessarily reflect the views of USITT, its Board members or employees.
…
continue reading
On this week’s episode, we sat down with 2022 YDMT winner of the Richard Hay Undergraduate Scene Design Award, Maggie Nelson.
Maggie has been scenic designing professionally for three years, and scenic painting for six. Her most recent work has been at Hope Summer Repertory Theatre’s 2021 outdoor season as Scenic Designer for A Year with Frog and Toad and The Importance of Being Earnest, Assistant to Remote Scenic Designers for The Mountaintop and Children of a Lesser God, and Scenic Paint Charge for all of the above. She is currently in her fourth year at The Conservatory of Theatre Arts at Webster University, pursuing a BFA in scenic design with a second emphasis in Scenic Art. She likes spaghetti and nature.
TECHnically Speaking is a public service of USITT, which seeks to have a broad conversation on topics of interest to its members, but it is neither a legal interpretation nor a statement of Institute policy. The views expressed on this podcast by guests are their own and their appearance herein does not imply an endorsement of them or of any entity they may represent. Reference to any specific product or idea does not constitute an endorsement or recommendation. Views, opinions, recommendations or use cases expressed on this podcast do not necessarily reflect the views of USITT, its Board members or employees.
90 episodes
MP3•Episode home
Manage episode 331909963 series 2886619
Content provided by USITT. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by USITT or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This podcast was recorded on the show floor of USITT22 at Studio USITT in partnership with AKG by Harman.
On this week’s episode, we sat down with 2022 YDMT winner of the Richard Hay Undergraduate Scene Design Award, Maggie Nelson.
Maggie has been scenic designing professionally for three years, and scenic painting for six. Her most recent work has been at Hope Summer Repertory Theatre’s 2021 outdoor season as Scenic Designer for A Year with Frog and Toad and The Importance of Being Earnest, Assistant to Remote Scenic Designers for The Mountaintop and Children of a Lesser God, and Scenic Paint Charge for all of the above. She is currently in her fourth year at The Conservatory of Theatre Arts at Webster University, pursuing a BFA in scenic design with a second emphasis in Scenic Art. She likes spaghetti and nature.
TECHnically Speaking is a public service of USITT, which seeks to have a broad conversation on topics of interest to its members, but it is neither a legal interpretation nor a statement of Institute policy. The views expressed on this podcast by guests are their own and their appearance herein does not imply an endorsement of them or of any entity they may represent. Reference to any specific product or idea does not constitute an endorsement or recommendation. Views, opinions, recommendations or use cases expressed on this podcast do not necessarily reflect the views of USITT, its Board members or employees.
…
continue reading
On this week’s episode, we sat down with 2022 YDMT winner of the Richard Hay Undergraduate Scene Design Award, Maggie Nelson.
Maggie has been scenic designing professionally for three years, and scenic painting for six. Her most recent work has been at Hope Summer Repertory Theatre’s 2021 outdoor season as Scenic Designer for A Year with Frog and Toad and The Importance of Being Earnest, Assistant to Remote Scenic Designers for The Mountaintop and Children of a Lesser God, and Scenic Paint Charge for all of the above. She is currently in her fourth year at The Conservatory of Theatre Arts at Webster University, pursuing a BFA in scenic design with a second emphasis in Scenic Art. She likes spaghetti and nature.
TECHnically Speaking is a public service of USITT, which seeks to have a broad conversation on topics of interest to its members, but it is neither a legal interpretation nor a statement of Institute policy. The views expressed on this podcast by guests are their own and their appearance herein does not imply an endorsement of them or of any entity they may represent. Reference to any specific product or idea does not constitute an endorsement or recommendation. Views, opinions, recommendations or use cases expressed on this podcast do not necessarily reflect the views of USITT, its Board members or employees.
90 episodes
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