On Difference and Repetition with David Deamer

Thales’ Well

Dave is back! We speak again about French philosopher Gilles Deleuze. This time we try to crack one of his most famous works Difference and Repetition. We talked about some very abstract concepts such as space, time, motion, representation and identity, and Deleuze’s three syntheses of time, but Dave does a brilliant of job of coherently explaining this very challenging book and the ‘sheet of black night’ that confronts us all.

Dr David Deamer is a writer and free scholar associated with Manchester Metropolitan University, UK. His interests lie at the intersection of cinema and culture with theory, history, and politics, centring on the philosophy of Gilles Deleuze, Henri Bergson, and Friedrich Nietzsche. He is the author of Deleuze’s Cinema Books: Three Introductions to the Taxonomy of Images (EUP, 2016); and Deleuze, Japanese Cinema and the Atom Bomb: The Spectre of Impossibility (Bloomsbury, 2014). He has published here and there in various edited collections and journals, and his latest essay – available free on the Film-Philosophy journal home page – is ‘Deleuze’s Three Syntheses Go to Hollywood: The Tripartite Cinema of Time Travel, Many Worlds and Altered States‘ (Film-Philosophy v23i3 EUP, 2019). You can find out more about David on his homepage.

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