In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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La Notte (featuring film critic Robert Koehler)
Manage episode 214639914 series 2416725
Content provided by The Cinematologists. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Cinematologists or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Michelangelo Antonioni is generally recognised as one of the seminal directors of the European Art House tradition. In this week’s episode, The Cinematologists return to the Electric Palace Cinema to screen his 1961 film La Notte. The central film in his classic trilogy of modern alienation – L’avventura and L’eclisse being the other two - La Notte features three of the most iconic European stars - Jeanne Moreau Marcello Mastroianni and Monica Vitti - in a tale of strained relationships set in the abstract architectural spaces of Milan and the rarefied yet superficial circles of Italian high society.
This episode also features an interview with the renowned film critic Robert Koehler who discuss his love and admiration of Antonioni's film particular focusing on the film that he sees as the filmmaker's masterpiece L'avventura.
Show notes
Senses of Cinema review of La Notte
LA Times article on La Notte restoration
195 episodes
Share
Manage episode 214639914 series 2416725
Content provided by The Cinematologists. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Cinematologists or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Michelangelo Antonioni is generally recognised as one of the seminal directors of the European Art House tradition. In this week’s episode, The Cinematologists return to the Electric Palace Cinema to screen his 1961 film La Notte. The central film in his classic trilogy of modern alienation – L’avventura and L’eclisse being the other two - La Notte features three of the most iconic European stars - Jeanne Moreau Marcello Mastroianni and Monica Vitti - in a tale of strained relationships set in the abstract architectural spaces of Milan and the rarefied yet superficial circles of Italian high society.
This episode also features an interview with the renowned film critic Robert Koehler who discuss his love and admiration of Antonioni's film particular focusing on the film that he sees as the filmmaker's masterpiece L'avventura.
Show notes
Senses of Cinema review of La Notte
LA Times article on La Notte restoration
195 episodes
All episodes
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Similar to The Cinematologists Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
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…
continue reading
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…
continue reading
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…
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…
continue reading
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…
continue reading
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