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The Office of Compline for April 14, 2024
Manage episode 413486596 series 1578759
Content provided by The Compline Choir. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Compline Choir or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The Third Sunday of Easter ORISON: This joyful Eastertide (Tune: VRUECHTEN) – mel. from Psalmen, 1685; harm. Charles Wood (1866-1926) PSALMS 134 & 4 – Peter R. Hallock (1924-2014) HYMN: Lift your voice rejoicing, Mary (Tune: FISK OF GLOUCESTER) – Thomas Foster (1938-2024) NUNC DIMITTIS – Plainsong, Tone I; harm. Thomas Morley (1557-1602) ANTHEM: Regina caeli […]
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Manage episode 413486596 series 1578759
Content provided by The Compline Choir. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Compline Choir or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The Third Sunday of Easter ORISON: This joyful Eastertide (Tune: VRUECHTEN) – mel. from Psalmen, 1685; harm. Charles Wood (1866-1926) PSALMS 134 & 4 – Peter R. Hallock (1924-2014) HYMN: Lift your voice rejoicing, Mary (Tune: FISK OF GLOUCESTER) – Thomas Foster (1938-2024) NUNC DIMITTIS – Plainsong, Tone I; harm. Thomas Morley (1557-1602) ANTHEM: Regina caeli […]
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Similar to The Compline Service from St. Mark's Cathedral
this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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