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Twelve Step Recovery Program for Crime Junkies.

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Manage episode 320223570 series 88056
Content provided by The Fedora Chronicles Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Fedora Chronicles Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Jason Cousineau and Eric Renderking Fisk discuss the latest controversy from The Crime Junkie host and AudioChuck founder Ashley Flowers. Her new podcast "The Deck" is an obvious, blatant rip-off of another podcast that's now in its second season: 'Dealing Justice.' Even after the countless charges of plagiarism from other True Crime Podcasters, it's a genuine mystery why publications like The New York Times would publish fluff articles about her without actually using the word "plagiarism" when describing her instances of actual plagiarism? Why haven't more True Crime Fans tuned her and her other programs on "AudioChuck" production company? Why is she still allowed to have a platform after committing a carnal sin in the realm of journalism that has caused journalists to lose everything for doing far less?
  continue reading

357 episodes

Artwork
iconShare
 
Manage episode 320223570 series 88056
Content provided by The Fedora Chronicles Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Fedora Chronicles Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Jason Cousineau and Eric Renderking Fisk discuss the latest controversy from The Crime Junkie host and AudioChuck founder Ashley Flowers. Her new podcast "The Deck" is an obvious, blatant rip-off of another podcast that's now in its second season: 'Dealing Justice.' Even after the countless charges of plagiarism from other True Crime Podcasters, it's a genuine mystery why publications like The New York Times would publish fluff articles about her without actually using the word "plagiarism" when describing her instances of actual plagiarism? Why haven't more True Crime Fans tuned her and her other programs on "AudioChuck" production company? Why is she still allowed to have a platform after committing a carnal sin in the realm of journalism that has caused journalists to lose everything for doing far less?
  continue reading

357 episodes

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